“This country never changes. Perhaps it can’t.”
Story: In the aftermath of the Japanese loss in WWII, Kōichi Shikishima, a failed kamikaze pilot, tries to pick up the pieces of his life amid shame and self-loathing, while trying to figure out what the heck he saw on Odo Island in 1945. (Hint: it had atomic breath.) By 1947, Kōichi has taken in Noriko, an unhoused young woman, and Akiko, an infant Noriko herself rescued from the wreckage of Tokyo. They settle into a routine with friends and neighbors, rebuilding their lives and their city. Their ersatz family slowly morphs into the real thing, until…did you hear that boom? GOJIRAAAAAAA!!!!
Genre I’d put it in: Modern MAN IN SUIT Classics
Release Date: 2023
Remake, Sequel, Based-On, or Original: Part of Toho Studio’s Godzilla-verse
Gotta say: Yes, I realize that on a technological level, One has both feet firmly planted in the 21st Century. There’s no suit, there is only CGI…and awesome technical work at that. But. There’s a vibe in this film that harks back to the original 1954 Toho Studio film, right down to the look of the (now surely digitized) film stock. One takes its place among the pantheon of Japanese Kaiju films, and for me? It’s one of the best. Am I saying that One is an instant classic? Yep. That’s exactly what I said.
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