Are you ready for (zombie) Crisis Zero?

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It’s always something. First your mortgage has been sold to another company. Then your kid has been suspended for flushing firecrackers down the toilet in the teacher’s lounge. Now it’s a zombie pandemic. What, you haven’t heard? Better check out the Crisis Zero website for information.

Okay fine; Crisis Zero is the latest marketing joint from our good buddies at World War Z. And I don’t care what anyone says, I’m really looking forward to this movie. I just hope it’s as good as the promos, and that there’s plenty of action (even if, as has been reported, there’s very little gore). Hey, I’m all about the thrills and chills. Like Stephen King said, the “gross out” is the last resort. Gimme a scare, and you’ve got me baby. You’ve got me.

And check out the CrisisZero2013 YouTube page.  The NZ survival tips are pretty awesome.

 

 

 

Pull! – May 17th, 2013

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A little taste of what I’ve been loving, what I’ve been hating, and what I’ve been apathetic about.  I promise I’ll try to make this a weekly thang….

Chin Music #1: Steve Niles starts out with a slam-bang of an opening, but with no exposition it’s a jumbled mess of Egypt, supernatural beings, skeletons and Prohibition gangsters.  It looks beautiful though, mess and all.  Here’s hoping #2 brings more information to what hints at a kickass tale.

Grimm Fairy Tales: Unleashed #1 (of 6): Sela and Liesel Van Helsing don the usual bimbo suits to fight a whole mess of baddies that have escaped from the banishment back in #0.  Gorgeous art and colors take some of the sting out of seeing so many unnecessary upskirt shots.  Bonus points for a Stephen King reference and a surprise battle pal, but it doesn’t save a wobbly, bloated start to this miniseries.  With Unleashed a jumping-off point for a blow-out expansion of the Grimm universe, here’s hoping #2 has less talky-talk about Old Magic and more monsters.

Ten Grand #1: A new series from Image’s “Joe’s Comics” label, and it looks like it could be a good one.  A blend of demons and noir; think of it as Harry Dresden meets Ghost Rider.  J. Michael Straczynski brings his A-game, and so does Ben Templesmith, with the watercolored edginess I’ve loved since 30 Days of Night here in all it’s gritty, raw splendor.  This is definitely a series to follow.

Ferals #14: Dale is still hunting the “man” who killed Pia.  But Thea — the last living woman who is carrying a hybrid wolf/werewolf — thinks that she’s going to be Dale’s new love, and she could help him just as much as he can help her.  Meanwhile, creepy government scientist Dr. Cherry is conducting creepy experiments, and over in Green Gorge, things between the townspeople and the government are about to get hairy (sorry.)  In other words, this is a kick-ass issue that has the new story arc looking like even more fun than the first one.  The art and coloring is still a bit basic (think early Bronze Age, with it’s bright colors and pre-realism basic style), but the story and the gore go a long way to making me give these quibbles a free pass.

Constantine #3: John is back in London, and it’s a blast watching how he reacts to re-entry.  But he’s got stuff to find and scores to settle, and he does it in his usual indomitable way.  I worried that the “New 52” rebranding would take the edge off of this character, but so far it looks like I needn’t have worried.  This is fast becoming my favorite new series.  Just do me a favor, DC; jettison the silly “Channel 52″ segments that have been tacked onto each issue.  They’re out of place with this particular series, especially since many horror fans don’t follow superheroes.

Creepy #12: Ahh, a comic book that instructs and entertains.  This issue, I learned not to sleep on a grave, that you can catch anything with good bait, shooting horror movies in the Philippines can be easy if  you have the right contacts, never volunteer when your professor asks for help, and never, ever, decide to become a navigator.  So many different styles and stories, but in this issue each one delivers.  With all the sick, icky greatness in this issue, Lucky #13 is sure to be a ghoulish delight….

The Walking Dead #110: Yeah, I almost gave up on TWD at issue #100 too.  It broke my ragged little heart.  But I trusted that Kirkman had a vision for what was next, and so far the Negan storyline is feeling like The Governor Part Deux.  But I’m liking new character Ezekiel, and hello…TIGER!  Plus, it looks like Michonne may have a new reason to live?  A zombie-free issue, which is a bummer; all the strange machinations here3 seem forced, as if to draw out what will be coming because the writers themselves have no idea.  But hey, lookit the tiger!  Let’s hope #111 gets the crew back on track.

From Geek for e: Star Trek Into Darkness

As always, clicky on the hyperlinked title for the original piece!

Movie Review: Star Trek Into Darkness

Star Trek meets Sherlock.  At least that’s what it’s seeming like on all the fannish boards along the Interwebs.  With Benedict Cumberbatch’s character shrouded in mystery — a mystery revealed for all who check this movie’s updated IMDb page — fans of the actor have been going crazy waiting to see him, and Trekkers (or Trekkies, as you prefer) have been going crazy trying to outguess director J.J. Abrams.  And while Star Trek Into Darkness is definitely a Trek-nucopia of canon fodder, what it isn’t is particularly welcoming to those folks who wouldn’t know a Vulcan Salute from a peace sign.  Still, Star Trek Into Darkness delivers the Id, Ego and Superego comedic clashes, the Kobayashi Maru-like impossible challenges, and the same good-vs-evil that we’ve come to know and love from this long lived franchise.  Abrams, along with fellow Lost alum Damon Lindelof, crafted a Trek universe that is familiar but slightly tilted.  It’s great to see how the young characters slowly grow into their original series counterparts…and if you’re not really in the know?  Go see it with your friends who are, and get caught up in the fun.

Captain James T. Kirk has just been taken to task for his last hair-brained seat-of-his-pants mission; he’s been stripped of his command and his First Officer Spock has been reassigned to another ship.  But meanwhile at what looks alot like the medical wing of Professor Xavier’s School for Gifted Youngsters, a stranger named Harrison has plans that will shake Starfleet to it’s core, bringing the Federation into uncharted waters and bloodshed.  It’s up to Kirk to get his commanding officers to believe in him again, and for him to understand exactly what it takes to sit in The Chair.

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Wayback Review: Dinotopia

Sometimes I’m lazy, but I’d like to post something.  Luckily, I have a bit of back catalogue from other wonderful places that are awesome enough to let me write for them.  Today, it’s my review of Dinotopia from Green Man Review.  As always, clicky on the hyperlink-ed title for the entire review!

Dinotopia

 

Dinotopia

(Hallmark Home Entertainment, 2002)

Admit it. Everyone has had a palaeontologist phase. You know, the point in your young life where dinosaurs take up every moment of your waking hour. You’ve got the stuffed ones, the plastic ones, the ones that decorate your bed sheets. For me, it happened when I was about two or three years old, when my father took me to see their giant skeletons in the National Museum of Natural History. The tyrannosaurus rex fascinated me, but I was a real sucker for those tiny little dawn horses. Which lead perfectly into my horsie phase, but that’s another story for another time.

Dinotopia began as a series of best selling books by James Gurney. They were praised for their lavish illustrations, but not exactly known for their plot structures. With this shaky start, the producers created a three-day miniseries and hoped that the dinosaurs, computerized and animatronic, would make up for the lack of story. They didn’t quite succeed.

Karl and David Scott are half-brothers who not only don’t know each other very well, they don’t like what they do know. During a vacation with their father, the three of them are involved in a plane crash that ends up washing the brothers onto an island populated with humans and Saurians (dinosaurs). They meet Marion, daughter of the current matriarch of Dinotopia and heir apparent, who tells them about the alliance with herbivorous (or as I like to think of them, non-threatening) dinosaurs. While David seems to adapt well to their new home, Karl wants nothing more than to go back home. Things change, however, when the sunstones, large diamond-like gems that protect Dinotopians from attack by carnivores, begin to dim. How they work isn’t really explained, but it is up to the boys to attempt a trip to The World Beneath to get more of them in order to save the lives of everyone they have come to know.

(Read more at Green Man Review….)

At ANS Sci-fi and Comic Con

It was a rainy day, with bits of sun just to tease everyone. What better day to head to La Plata, Maryland, to check out the ANS Sci-fi and Comic Con?

I got to see a ton of the 501st’s finest, grab some comics (hello, fleshing out my The Stand hardback collection!), and even got to spend a little time with my favorite robotic boyfriend! (We make a cute couple, I think.)

My favorite thing that I got to do?  I was able to take a gander at the original pilot episode of Buffy the Vampire Slayer!  Yeah I did y’all.  And it was a revelation.  I’ll post my thoughts in a later post, but let me say that Joss gave us a helluva show with BtVS, and getting to see the series as it was developing was a real treat.

A great big thank-you to all the folks that made the ANS Sci-Fi and Comic-Con such a success!  See y’all next year…but ’til then, a few pics from this year.

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Me and my new boyfriend. I think we make a great couple. He only has eye for me.

 

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I love these; geeky hair clips, for the baby geekettes. Awesome!

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A shot of folks pawing through the comics for sale at the start of the ‘con.

A few of the 501st, striking a pose.

A few of the 501st, striking a pose.

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Tons o’ comics! Huzzah!

Movie Review: The Great Gatsby

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The Great Gatsby focuses on the social and cultural conventions of the time.  Today, we still see the use of excess to temper boredom, the longing for a better, different life, and how life can turn on a dime based on the choices you make.  Fitzgerald’s themes are timeless, and so director Baz Luhrmann is able to take this classic and make it seem as it it was made for today’s audience.  And as with Moulin Rouge and Romeo + Juliet, he’s infused The Great Gatsby with all the beauty, opulence and magic the movies have to offer.  The Great Gatsby allows you to get a feel of Fitzgerald’s New York, but after over two hours there’s so much style but very little substance.  It’s a small price to pay for production design addicts (like me) to get their fix, but folks wanting more may be disappointed.

For folks who can’t remember reading the book back in high school, Gatsby is a story told by Nick Carraway (Tobey Maguire), a young man who moves to Long Island in the midst of the Roaring Twenties.  Nick doesn’t have money, but he’s given up his dream of being a writer to try his hand at bond trading.  His wealthy cousin Daisy (Carey Mulligan) has married a millionaire (Joel Edgerton, as Tom Buchanan), but isn’t happy in her marriage.  When Nick meets his enigmatic neighbor Jay Gatsby (Leonardo DiCaprio), they form a friendship.  And when Jay asks Nick to invite Daisy to tea, their lives take a turn nobody could have foreseen.  There’s jealousy, love, hate, lies, heartbreak and murder; all the makings of a great story.  And it is a great story, even though I found Daisy to be an obnoxious, selfish little twit when I first read the book.  Still do, in fact.  But ahh, amour.  Amour!

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“Best of April” Picks from The Ghastly Awards

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It’s about that time.  Okay, it’s a little past that time, but it took me awhile to get through the cornucopia of coolness that was this year’s Free Comic Book Day giveaways.  (More on those later.)  So here’s a look at my pick for April’s “Best of” for The Ghastly Awards.

As always, click the hyperlinked title for the original piece, and to check out more info on The Ghastly Awards and how to nominate!

Ghastly Awards — April 2013 Update

Horror comics are becoming more and more frequent in our reading culture, and the Ghastly Awards are here to recognize, through Horror Comic submissions, those that shine the brightest. We encourage all Comic Creators to take the time to head over to www.ghastlyawards.com and submit your work for 2013 Ghastly Award Nomination consideration.

Creators please remember that you can submit your Horror Comic work through out the calendar year! For the month of April 2013 the judges are recommending you take a look at: 
Bedlam #6 (Image Comics) – Through this comics past 5 issues it has presented more questions than answers, but this issue will help to answer some of those, but of course will leave you with more. Nick Spencer still keeps these characters insanely interesting with not giving everything away. This comic balances so many different themes from crime, psychology, religion and still begs you to answer is evil just something you are or something you do? – Spaced (http://www.facebook.com/NerdGirlsEyeView)
Dark Shadows Year One #1 (Dynamite) - Those familiar with the origin of vampire Barnabas Collins will be treading on familiar ground here, still writer Marc Andreyko throws in a few touches to make it different enough from the television version for long-time fans to check out. For the rest of you who do want to wade through hundreds of episodes of the TV show – or worse, the atrocious Tim Burton movie – but nevertheless want to know how a 19th century gentleman became one of the most famous bloodsuckers, here’s your chance. The characters’ look and sound are incredibly faithful to the source yet adapt well to the comic format. A great companion to the excellent monthly Dark Shadows comic.  – Pedro Cabezuelo (http://www.rue-morgue.com/)
Constantine #2 (DC) -Everybody knows that John Constantine is a jerk.  He keeps himself as obnoxious as possible because he fears the harm that will come to anyone close to him (“Magic is costly you take what you didn’t earn, but you pay for it.  You want to trust me on that.”)  With the reboot of Constantine folded into DC’s The New 52, it’s no surprise that in this issue our favorite cigarette addict gets a comeuppance from The Spectre.  But it’s not all crossover love, there’s some interesting build-up and one of the four sorcerers that John has come up against has a “special horror” in store.  If the gorgeous artwork by Renato Guides is any indication, Constantine #3: London Wants Me Dead looks very tasty indeed.  – Denise Dutton (atomicfangirl.com)
Miniature Jesus #1 (Image) - I’m insanely excited for this series. There is so much potential here. It’s just the right amount of weird for me. Being the first issue, we don’t get a ton of information… just a bunch of teasers of what’s to come. The story starts with a rugged, rough around the edges, recovering alcoholic who talks to a mummified cat and has to battle his (personified–demonified?) desire to drink. We then switch over to another storyline (which will no doubt converge with our alcoholic in the next issue) about a crazed, overzealous pastor who has a very strange experience with his small Jesus on a cross figurine. Like I said, I’m really excited for this series because the horror of it all is in the bizarreness. We tend to feel fear at the things we don’t understand and I think Miniature Jesus will walk that line quite nicely. The writing is solid but the art is really the highlight for me. This comic is definitely not to be missed.  – Bree Ogden (agentbree.wordpress.com)

Abe Sapien #1: Dark and Terrible (Dark Horse) – The world is overrun with monsters of all shapes and sizes (mostly of the big ‘n scary type), meanwhile, the B.P.R.D. are still hunting for their MIA agent– Abe Sapien! Mignola and Allie propel this anticipated creature infested feature into ominous high gear, the first of a 3 issue horror adventure mini-series, with eerie artwork by Sebastian Fiumara and creeptacular colors by Dave Stewart. – Steve Banes (http://thehorrorsofitall.blogspot.com/)

Killogy #4 (IDW) -  Alan Robert brings his latest zombie adventure to a close, and what a fantastic final issue. Robert manages to blend together elements of grindhouse horror, dark comedy, and gritty crime all while managing an all-star cast of unlikely heroes. For those of you familiar with Robert’s previous work, he changes up his art style with Killogy and it works wonders. This is just a damn fun book. I wish there was more. – Lonnie Nadler (www.Bloody-Disgusting.com)

Godzilla: The Half Century War #5 (IDW) - James Stokoe’s epic Kaiju drama continues into the new millennium and his storytelling is, as always, top-notch! But the real draw here (pun intended) is Stokoe’s lovingly detailed and thrilling artwork. Gigan, Ghidorah and Mecha-Godzilla duke it out with everybody’s favorite ‘Zilla in page after page of relentless monster assault! Quite an apocalyptic tale here… could it be the end? Well… there’s supposed to be one more episode, and I can’t wait for it! This mini-series is the best Kaiju-Komic I’ve ever enjoyed… Stokoe is doing something completely original yet wonderfully familiar with his labor of love. Highly recommended. – Mike Howlett (http://eeriepublications.blogspot.com/) 

’68: Jungle Jim #1 (Image): What do you get when you mix awesome with awesomer and then top it all off with a good helping of awesomest? You get ’68: Jungle Jim #1 of course! The zombie infestation meets the Vietnam War is back, and it blows your eyes out within the first few pages, thanks to the GORE-Geous artwork of Jeff Zornow. The story by Kidwell moves at a fantastic pace, and it’s just an all around fantastic first issue. I can not wait for more of this series. I love every single MOTHER F’*&#’ING PAGE!  – Decapitated Dan (www.decapitateddan.com) 

Haunted Horror #4 (IDW): I’ve said it before, and I will say it again. I think that Yoe, Gussoni and our very own Steve Banes, do an amazing job choosing stories that all work very well together. As odd as it sounds to call old reprints fresh, this book really is a breath of fresh “old” air. The amount of story you used to get for cover price is amazing compared to today’s standards, and this comic will show you why. My favorite story was probably the final story “Terror on the TV”. It might look like a simple concept today, but place yourself in 1954 and think about it, yeah, you crapped your pants. I love this title, I love what it is bringing to the comic public, and all I can say is read it, you will be glad you did.  – Decapitated Dan (www.decapitateddan.com)

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