“The Cure for Wellness” is a whole lot of bad crazy. With eels.

a-cure-for-wellness-posterNutshell: Bojan Bazelli’s beautiful cinematography and Eve Stewart’s picture-perfect production design are wasted in this derivative horror mishmosh.  Speaking of criminal wastes of talent, Celia Imrie, Dane DeHaaan and Jason Isaacs turn in wonderful performances that this film just doesn’t deserve. Pretty it is, but less than halfway through this overlong slog, and it’s obvious that Wellness just doesn’t know what to do with itself. Grade: D

“There’s a terrible darkness here.”

Story: Some guy dies of a heart attack at the office.  Another one – a head honcho – goes off to a spa retreat for the uber-rich.  The third is tasked with finding the honcho at said spa, and bring him back to work, because apparently nobody thought to ask honcho for power of attorney while he’s gone.  Third ends up caught in the strange Hotel California of the spa, and…bring forth the eels!

Genre I’d put it in: Overambitious Overlong Overblown Wannabe Hammer Horror

Remake, Sequel, Based-On, or Orignal: Oh, it’s original all right.  (Apart from all the horror trope shout-outs.)

Gotta say: This film is like a bad boyfriend; all kinds of pretty, and so promising at the start. But then things get weird, creepy, and drag on for far too long. It also doens’t know what it wants to be once it’s got you in it’s clutches. Put simply, Wellness is a clusterfuck. A beautiful, atmospheric clusterfuck, but a clusterfuck nonetheless.

A mishmash of horror films, tropes and clichés from years past: The Shining, The Phantom of the Opera, House of Usher, Invasion of the Body Snatchers. Throw in some Shutter Island, and every Hammer and AIP Gothic tale while you’re at it. Wellness is atmospheric and that’s truly glorious, as are the lead performances and the teasing start to the madness.  But at almost two and a half hours, Wellness decides that in order to justify the long run time, it’s gotta cram everything into the plot, causing story bloat and unintentional hilarity.

Worst yet, Wellness commits the cardinal sin of horror movies. No, not stupidity; there’s something to be said for a good ol’ fashioned stupid horror movie. Wellness is tacky. Without spoiling too much, (not like you should actually go out and see this dreck) I’ll say that as the head of the spa, Jason Isaacs tries his best to pull together a sinister, looming presence.  And all of that hard work and effort is thrown in the trash at the silly, icky, Cosanguinity Ex Machina of a climax that throws his wonderful performance into the trash. (What?  If they can make up this crap, I can make up a trope.)

Throw in a hooded secret society, a “secret” in plain sight that nobody at the spa ever decided to check out (a crumbling old remnant of a castle smack dab in the middle of the spa, and nobody ever even goes near it?  NOBODY?), and of course a fire that consumes all at the end.  Which is kinda what I wish had happened to the original print of this film.  Google Wellness and check out the glorious images, and you’ll save yourself from wishing you could cure yourself of the two and a half hour loss of time that you could have spent doing literally anything else.

#Protip: Screenwriter Justin Haythe wrote 2008’s powerful Revolutionary Road.  But he also wrote 2013’s stinker The Lone Ranger.  With Wellness, looks like he’s in freefall.

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Elsewhere Review: Ann Brashares, “The Whole Thing Together”

Read the original piece RIGHT HERE at The Green Man Review!

[NOTE: I received a Kindle advance reader’s copy in return for an honest review. I received no other compensation, not even a trip to the Hamptons or a box of LEGOs. But I’ll live.]

the-whole-thing-together-cover“If you put both sides together, it would kind of make a whole.  But you never put both sides together.”

Step-siblings Sasha and Ray are seventeen years old. Sasha’s dad and Ray’s mom were married, but divorced and married other people, who became Sasha’s mom and Ray’s dad. So Sasha and Ray aren’t related. Are you with me so far? Good.

Sasha’s dad Rodger is rich. Ray’s mom Lila isn’t. Manhattan, Brooklyn. Day, night.  Love, hate…or rather, hate, hate.  Because Sasha’s dad and Ray’s mom can’t stand each other.  Hate, loathe and abominate each other, to be precise.  Yet they share a beach house in the Hamptons that neither could give up, where they switch on and off every summer week/ school weekend like a seldom used faucet. Sasha and Ray have shared a bedroom their whole life, but they’ve never met.  Each week or weekend one has the room, and then when the switch is made, the other takes over.  They share books, LEGOs, flip-flops, toiletries, even half-sisters.  And now Sasha and Ray are starting to wonder if they should share a coffee and meet each other face-to-face. Continue reading

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“The LEGO Batman Movie” – everything’s still awesome

lego-batman-2“I’m Richard Grayson, but everybody at the orphanage calls me Dick.”

‘Well, kids can be cruel.’

Nutshell: A crazy, over-the-top extravaganza of villainous excess and Batman badassery. Lots of adults-get-it-humor that isn’t too much for the wee ones. A bit too focused on action and packing in All The Things. But the shout-outs to Batman (Batmen?) of old, and the easygoing cameraderie of the voice actors make up for a few hiccups in narrative tone.  Grade: A-

Story: Superhero and all-around curmudgeonly superstar Batman (Bruce Wayne, shhhh!) has a blast being Batman.  There’s something missing though; a family. But you’ll have to convince Batman of that, especially now that he’s accidentally adopted a son.

Genre I’d put it in: Super Spectacular Superhero Movies Of Awesomeness (With LEGOs) Continue reading

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TrailerWatch: “It Comes At Night” is ready to mess with your apocalypse

it-comes-at-nighth-poster“It’s okay. It’s okay.  It’s okay…”

The poster for It Comes At Night looks creepy as hell.  And the film’s new trailer is damn unsettling. That’s a high compliment from yours truly.  Synopsis!

Imagine the end of the world— Now imagine something worse.

Award-winning filmmaker Trey Edward Shults follows his incredible debut feature Krisha with It Comes At Night, a horror film following a man (Joel Edgerton) as he is learns that the evil stalking his family home may be only a prelude to horrors that come from within.

Secure within a desolate home as an unnatural threat terrorizes the world, the tenuous domestic order he has established with his wife and son is put to the ultimate test with the arrival of a desperate young family seeking refuge. Despite the best intentions of both families, paranoia and mistrust boil over as the horrors outside creep ever-closer, awakening something hidden and monstrous within him as he learns that the protection of his family comes at the cost of his soul.

“An unnatural threat terrorizes the world” and “something hidden and monstrous within”?  Tag-team horror! Great, right? Well, maybe not so great for the folks in the film, but hey. Looks spooky, and it’s from the folks who brought you The Witch. I’m in for this new joint.

It Comes At Night comes at’cha August 25th, 2017.

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TrailerWatch: “Wish Upon” says be careful what you wish for…

WISH UPON stillI love the Wishmaster series.  But that’s mostly because they’re super cheesy, not because they’re particularly scary.  Still, the idea of a wish going horribly wrong makes for great horror (see: The Monkey’s Paw), and Wish Upon is taking up that gauntlet. Their first trailer looks like they mean business. Synopsis!

Twelve years after discovering her mother’s suicide, 17-year-old CLARE SHANNON (Joey King) is bullied in high school, embarrassed by her manic, hoarder father JONATHAN (Ryan Phillippe) and ignored by her longtime crush. All that changes when her father comes home with an old music box whose inscription promises to grant its owner seven wishes. While Clare is initially skeptical of this magic box, she can’t help but be seduced by its dark powers, and is thrilled as her life radically improves with each wish. Clare finally has the life she’s always wanted and everything seems perfect – until the people closest to her begin dying in violent and elaborate ways after each wish. Clare realizes that she must get rid of the box, but finds herself unable and unwilling to part with her new-and-improved life – leading her down a dark and dangerous path.

Still wishing? Head over to http://wishuponmovie.com to wish for anything your heart desires (or just read other secret wishes) – it’s totally anonymous, so go crazy!  But maybe not too crazy.  Be careful what you wish for, or upon…

Now I have “Golden Years” playing in my head. Wish upon, wish upon, day upon day…sweet. THANK YOU, Wish Upon!

https://www.yahoo.com/movies/wish-upon-trailer-1-175500392.html?format=embed

 

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TrailerWatch: #GirlsTrip gets up to some #NSFW mischief!

girls-trip-poster“I need you to use your lady mouth.”

Just the idea of a Queen Latifah/Jada Pinkett Smith/Regina Hall/Tiffany Haddish (OMG do yourself a favor and check out Haddish whenever she’s on @midnight) buddy comedy has me ready to line up for some popcorn.  And this DEFINITELY NSFW red band trailer does not disappoint.  Makes me want to head to New Orleans pron-to.  Synopsis!

When four lifelong friends—Regina Hall, Queen Latifah, Jada Pinkett Smith and Tiffany Haddish—travel to New Orleans for the annual Essence Festival, sisterhoods are rekindled, wild sides are rediscovered, and there’s enough dancing, drinking, brawling and romancing to make the Big Easy blush.

Girls Trip hits your town this July.

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TrailerWatch: “The Boss Baby” tries to say “I Love You” for Valentine’s Day

boss baby posterAlec Baldwin as a Glengarry Glen…Baby?  Hey, stranger things have happened…cue Howard the Duck.  Still, it’s Dreamworks, so it’s gonna be gorgeous.  And Baldwin has been killing it as Trump on SNL. Synopsis!

DreamWorks Animation and the director of Madagascar invite you to meet a most unusual baby.  He wears a suit, speaks with the voice and wit of Alec Baldwin, and stars in the animated comedy, DreamWorks’ The Boss Baby.  The Boss Baby is a hilariously universal story about how a new baby’s arrival impacts a family, told from the point of view of a delightfully unreliable narrator, a wildly imaginative 7 year old named Tim.  With a sly, heart-filled message about the importance of family, DreamWorks’ The Boss Baby is an authentic and broadly appealing original comedy for all ages.

Gotta admit Tim and the baby give off a Calvin and Hobbes vibe.  Not too shabby. And am I the only one hoping the soundtrack includes “Shake Rattle and Roll”?  What?

The Boss Baby opens March 31, 2017.

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Baltimore Screening Pass-palooza: “A United Kingdom”!

a-united-kingdom-posterI thought Loving was an absolutely amazing film.  But obviously that’s not the only story about a couple fighting for their right to be together.  And with A United Kingdom, we get a look at what it was like across the sea in the 1940s. Synopsis!

A UNITED KINGDOM is the true story of the forbidden love of King Seretse Khama of Botswana (David Oyelowo) and Ruth Williams (Rosamund Pike), a white woman from London, which caused an international uproar when they decided to marry in the late 1940’s just as apartheid was being introduced into South Africa. It was a decision that altered the course of African history.

With Oyelowo and Pike in the lead roles, and directed by Amma Asante (Belle), I’m in.  Are you?  Then c’mon! Continue reading

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Pony News: BronyCon 2017, now with (SOME) non-pony programming!

BronyCon 2016 logoHey everypony!  Ever wonder if the BronyCon-goer sitting next to you is into other stuff you’re into?  Well wonder  no more; there’ll be non-pony programming this year at BronyCon!

There won’t be much in the way of non-pony topics, because they’re still trying to keep things 20% cooler, but who knows?  Maybe you’ll find out that you’re not the only person who thinks Fluttershy is Best Pony and really digs D&D! (Just me?)

Read on for the details straight from BronyCon!

Continue reading

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Baltimore Screening Pass-palooza: “Fist Fight”!

fist-fight-posterMeet y’all out behind the portables – I’ve got passes for the Baltimore area screening of Fist Fight!  Synopsis!

Ice Cube (“Barbershop: The Next Cut,” the “Ride Along” movies) and Charlie Day (“Horrible Bosses,” “It’s Always Sunny in Philadelphia”) star as high school teachers prepared to solve their differences the hard way in the comedy “Fist Fight,” directed by Richie Keen (“It’s Always Sunny in Philadelphia”). On the last day of the school year, mild-mannered high school English teacher Andy Campbell (Day) is trying his best to keep it together amidst outrageous senior pranks, a dysfunctional administration and budget cuts that are putting his job on the line just as his wife is expecting their second baby. But things go from bad to worse when Campbell crosses the school’s toughest and most feared teacher, Ron Strickland (Ice Cube), causing Strickland to be fired.  To Campbell’s shock—not to mention utter terror—Strickland responds by challenging him to a fist fight after school.  News of the fight spreads like wildfire as Campbell takes ever more desperate measures to avoid getting the crap beaten out of him.  But if he actually shows up and throws down, it may end up being the very thing this school, and Andy Campbell, needed.

You gonna do this or are you…chicken? Continue reading

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