Meet Me Giveaway: tix to the Fathom Events showing of La Donna del Lago

DonnaHappy March! Ready for St. Pat’s? Oh, you’re looking for something different? Well, how about La Donna del Lago , an Italian opera about the Scottish Highlands? Yeah. I think that sounds pretty cool too.  Here’s the information from the perky PR peeps:

Date: Saturday, March 14, 2015

Time: 12:55 p.m. ET / 11:55 a.m. CT / 10:55 a.m. MT / 9:55 a.m. PT

Run Time: 3 hours 30 minutes (approximate)

Ticketing: Tickets are available by clicking on the orange “Buy Tickets” button. If online ticketing is not available for your location, you can purchase your tickets by visiting the box office at your local participating cinema.

Special Fathom Features: Go behind the scenes with the Met’s stars! During intermission, interviews with cast, crew, and production teams give an unprecedented look at what goes into the staging of an opera.

Experience the ninth season of the Metropolitan Opera’s Peabody and Emmy Award-winning series The Met: Live in HD in select cinemas nationwide. The broadcast of Rossini’s La Donna del Lago will be presented live on Saturday, March 14 at 12:55 p.m. ET / 9:55 a.m. PT, followed by an Encore presentation in select cinemas on Wednesday, March 18 at 6:30 p.m. in all time zones.

Bel canto superstars Joyce DiDonato and Juan Diego Flórez join forces for this Rossini showcase of vocal virtuosity, set in the medieval Scottish highlands and based on a beloved novel by Sir Walter Scott. DiDonato is the “lady of the lake” of the title, and Flórez is the king who relentlessly pursues her, their vocal fireworks embellishing the romantic plot in this Met premiere production conducted by Michele Mariotti.

And how to win passes? Well, read on…

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Baltimore Screening Pass-palooza: Home

Home onesheetFeeling like a little bit of animation?  Well, thanks to the PR folks at Twentieth Century Fox, I’ve got you covered; AF has passes for the Baltimore area screening of Home!  An adorable alien, cute kids, and a fun adventure.  Sound Good?  Here’s the synopsis:

When Oh, a loveable misfit from another planet, lands on Earth and finds himself on the run from his own people, he forms an unlikely friendship with an adventurous girl named Tip who is on a quest of her own. Through a series of comic adventures with Tip, Oh comes to understand that being different and making mistakes is all part of being human. And while he changes her planet and she changes his world, they discover the true meaning of the word HOME.

Awwww!  Want passes?  Read on…

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Book Review: Danny Peary, Cult Horror Movies

Cult Horror Movies cover

Nutshell: Cult Horror Movies ranks right up there with Splatter Movies and Golden Turkey Awards in it’s celebration of the off-beat and cultishly adored.  Danny Peary not only provides in-depth analysis of each film in this collection, but provides tons of drool-worthy tidbits and trivia.  A must for film fans of any genre. Grade: A

I loved my coffee table books that focused on film.  Especially the ones that focused on horror, or movies the general public disdained Splatter Movies, Psychos by John McCarty.  The Golden Turkey Awards series by the Medved brothers.  Michael Weldon’s The Psychotronic Encyclopedia of FilmCult Horror Movies can easily slip beside these classics of movie trivia and criticism, and if you’re a fan of cult movies, movie history, movie trivia or just plain-old learning cool stuff, you should get your hands on this.

Some may look at this Leatherface-as-cover-candy book and figure there’s nothing but Z-level splatter. Some will be disappointed. Other fans of the genre will be delighted to see everything from Cronenberg to Lugosi, Christopher Lee to King Kong. This list is all over the place, and that’s perfect for a book about cult films. However, there will also be readers who wonder why [Insert Film Here] is included. That’s not horror! That’s mainstream! That’s… I know, I know; I questioned the inclusion of classics like Bride of Frankenstein, Freaks and my beloved Night of the Demon. But cult movies aren’t just about the films that sucked and slowly built up a following, they’re also about the ones that are amazing but were overlooked simply because of their genre. So just read the book already….
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Rage: Midsummer’s Eve hits VOD today

Rage Midsummer onesheetOkay y’all. I love me some horror. But saying the trailer for Rage: Midsummer’s Eve is in the “Top 5 horror trailers of 2015” when the year’s barely started? Kinda milking it a bit. Especially when said trailer is simply a bunch of young’uns running.  And running.  And running more.  Still, my 2014 “31 in 31” uncovered some pretty cool straight-to-vid films, so I’ll bite once it hits Netflix. Here’s the synopsis, as the trailer and the PR left that out:

American and British friends studying in Finland decide to take up an offer to travel to the Arctic Circle and experience the mysterious, pagan celebration of Midsummer’s Eve.

Am I the only one getting The Wicker Man spinoff vibes?

For my fellow horror fiends, feast your eyes on the press release.  And if you see it, lemme know what you thought…
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Kickstarting: R.E.E.P.E.R. Men comic

REEPER cover frontYou know I love me some post-apocalyptic stuff.  Zombies, plague, YA love stories, whatever.  It’s what comes of reading The Stand when you’re 12.  So when I saw R.E.E.P.E.R. Men on Kickstarter, I decided to take the plunge.  And yes, I’ll be giving you my review once I get my grubbies on my Kindle copy.

What’s R.E.E.P.E.R. Men, you ask?  Here’s the synopsis from the creators:
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Review in a Flash: Unfinished Business

Unfinished Business onesheetSometimes I’m too lazy for a full-out piece. Sometimes everything I’ve got to say about a film can be summarized in a sentence or two. Sometimes it’s both.  So herewith, a quick-n-dirty on Unfinished Business!

Nutshell:  I’d give Unfinished Business a C.  It starts off wanting to be The Hangover, gains momentum by trying to be Road Trip, and then finishes off by attempting Office Space mixed with family bonding and anti-bullying tidbits. Toss in touches of The Odd Couple, Crosby & Hope’s Road films, and innumerable other buddy movie tidbits, and you get a an offbeat, off-color, strangely sweet mess that doesn’t quite know what to make of itself.   “Best Business Trip Ever”?  Not by a long shot.

Before:  This trailer looks like a danger sign flashing in neon.  Abandon All Hope Ye Who Enter Here.  Well, it’s a 4pm screening.  Why not?

During:  Office Space frak-tha-boss opening!  Seen this before!  Two Three guys that couldn’t be more opposite having to travel together for Thanksgiving a business trip!  Seen this before!  Hey!  Nick Frost!  I like Nick Frost!  Maybe I should slow down on the Good-n-Plentys.  Way too many exclamation points.  But this film wants to grab you and shake you around so you chirp out biff-boom-pow like a superhero.  However, even with all the dongs — equal rights!?! — I’m trying to figure out what’s going on.  The story is simple; three guys form their own business and head to Germany to try to nail down a deal that will save their company.  But the plot (how they get from beginning to end of said story) is a total mess.  Hamburg, Berlin, an obnoxious ex-boss, weird hostel roommates, art installations, a fetish bar/glory-hole-palooza (hence the dongs), kids being bullied…whoa.  Did anyone look at the script and think “structure is in order here”?  Nope.  But on the plus side, Vince Vaughn, Tom Wilkinson and Dave Franco as the three Amigos businessmen look like they’re having a blast.  James Marsden and Sienna Miller (as business honcho and ex-boss), however, look pained.  Hope their paycheck cleared.

After: Strangely enough, the sweet bits with Vaughn’s overworked schlub connecting with his kids stuck with me longer than the business trip strangeness.  So did the feeling that the screenwriters and director threw away tons of chances to make this a better movie by throwing away promising sub-plots and failing to spin well done gags into something more.  Instead, they went with the cheap shots, and stuck to beating the same three jokes to death over and over again.  Kudos for the Bullying Is Bad Y’all messages, and for the moments where Vaughn’s character genuinely cares about and emotionally supports his two tweens.  But Unfinished Business is a jumble; it’s as if the powers that be crammed everything they thought was funny in 8th grade into one movie, sent the editor out for donuts, and locked the door behind him.

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TrailerWatch: Ryan Reynolds loses consciousness in Self/less

selfless teaserPeople get transplants every day.  But what about getting your entire “self” transplanted into another body?  Welcome to Self/less

Looks intriguing.  Self/less hits theaters July 31, 2015. Wanna know more?  Check out the trailer below.  Here’s the official word:

SELF/LESS

In Theaters Nationwide Summer 2015

In this provocative psychological science fiction thriller, an extremely wealthy man (Academy Award winner Ben Kingsley) dying from cancer undergoes a radical medical procedure that transfers his consciousness into the body of a healthy young man (Ryan Reynolds). But all is not as it seems when he starts to uncover the mystery of the body’s origin and the organization that will kill to protect its cause.

Director: Tarsem Singh (“The Cell”, “Immortals”)
Writers: Alex Pastor & David Pastor (“Carriers,” “The Last Days”)
Starring: Ryan Reynolds (“Deadpool”), Natalie Martinez (“Secrets and Lies”), Matthew Goode (“The Good Wife,” “The Imitation Game”) Victor Garber (“The Flash”), Derek Luke (“Empire”), Michelle Dockery (“Downton Abbey”), and Academy Award winner Ben Kingsley
Producers: Ram Bergman, James D. Stern, Peter Schlessel

#Selfless
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Official Trailer

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Baltimore Screening Pass-palooza: Cinderella

Cinderella live onesheetNo, they didn’t re-release the classic animated version.  (Though that’d be pretty awesome, right?)  This Cinderella is a live-action film, with a cool cast.  Don’t believe me?  Just read:

The story of “Cinderella” follows the fortunes of young Ella (Lily James) whose merchant father remarries following the death of her mother. Eager to support her loving father, Ella welcomes her new Stepmother (Cate Blanchett) and her daughters Anastasia (Holliday Grainger) and Drisella (Sophie McShera) into the family home. But, when Ella’s father unexpectedly passes away, she finds herself at the mercy of a jealous and cruel new family. Soon, she is forced to become their servant, disrespected, covered in ashes and spitefully renamed Cinderella. Yet, despite the cruelty inflicted upon her, Ella will not give in to despair nor despise those who mistreat her, and she continues to remain positive, determined to honor her mother’s dying words and to “have courage and be kind.”

When Ella meets a dashing stranger in the woods, unaware that he is really the Prince (Richard Madden) and not merely Kit, an apprentice at the palace, she believes she has finally found a kindred soul. It appears her fortunes may be about to change when the King (Derek Jacobi) summons all maidens in the kingdom to attend a royal ball at the palace, raising Ella’s hopes of once again encountering the charming Kit. Alas, her Stepmother forbids her to attend and callously destroys her dress. Meanwhile, the calculating Grand Duke (Stellan Skarsgård) devises a plan to thwart the Prince’s hopes of reuniting with Ella and enlists the support of the devious Stepmother. But, as in all good fairy tales, help is at hand. Soon, a kindly beggar woman (Helena Bonham Carter) steps forward and, armed with a pumpkin, a few mice and a magic wand, changes Cinderella’s life forever.

Kinda stoked that Bonham Carter is playing the Fairy Godmother.  Know what else I’m stoked for?  FROZEN FEVER!!!  That’s right, with this screening you’ll also get to see Elsa and Anna in the brand-new Frozen short.

You know you want this.  So read on, already!

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Book Review — Dark Screams: Volume 2

Dark Screams 2 cover

Nutshell: Five fun-to-read stories by top notch horror scribes. How can you lose? The answer; you can’t. Though there’s a small hiccup thrown into the mix, this anthology is an easy, enjoyable read. Whether you go through bit by bit, or gobble it up in one sitting, DSv2 is a fun way for a horror fan to spend some time. B+

Spooky short story collections.  My heroin.  I can’t stay away.  I’ve been digging in for years, from King to Barker to George R.R. Martin to Algernon Blackwood.  The Shadows series, Metahorror, The Skin Trade, I Shudder At Your Touch, the excellent and sorely missed Year’s Best Fantasy and Horror, and so many more.  I gobble ’em up.  So this review was a given; I needed to get my paws on this.  And I’m not disappointed.

While not 100% spooky, there’s more than enough creepy mystery and tension in Volume Two to pleasantly entertain short story fans, even if your tastes run to more in-your-face horror.  Plus, in Norman Prentiss and Shawntelle Madison, I’ve found two new authors I’m interested in reading more of.  Not too shabby.

Editors Brian James Freeman and Richard Chizmar don’t bother with stories that would only serve as padding; they cut to the bone and deliver a handful of entertaining tales.  Five, to be exact.  And here’s my two cents on each:
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Newswire: The Day Leonard Nimoy Created Spock’s Neck-Pinch

A little something to help everyone through the pain of losing such a wonderful man.

Marc Cushman Spock Nerve Pinch

Spock uses the Vulcan nerve-pinch in “A Taste of Armageddon” (PRNewsFoto/Marc Cushman)

 

Author Marc Cushman’s Book Series Takes You On a Trek Back in Time

LOS ANGELES, March 3, 2015 /PRNewswire/ — Leonard Nimoy was who Star Trek creator Gene Roddenberry had in mind when he first imagined Mr. Spock, but it was Nimoy’s contributions that helped make the Vulcan so extraordinary. A serious thinker and method actor, Nimoy identified with and became very protective of Spock, often adding to Roddenberry’s characterization.

In Marc Cushman’s Saturn Award winning book series, These Are the Voyages, there are many instances of his imprints, such as the Vulcan Neck-Pinch.

It was Tuesday, June 21, 1966, the sixth day of filming on “The Enemy Within.” Leonard Nimoy was bothered by something in the script. He had not been able to get the producers to hear his concern, so he decided to take arbitrary action. In this episode, a transporter malfunction created a double for Captain Kirk, who then attacked crew members and was now hunted down to the engineering decks. The stage direction in the shooting script said Spock “lunges out from behind one of the generators and kayoes the double.” Nimoy later recalled, “The scene jarred me when I first read it. It seemed more appropriate for the Old West than the 23rd Century.”

Near the time of this production, while being interviewed on set by a newspaper writer, Nimoy said, “Although we are essentially a humanistic show, the Enterprise is heavily armed and a lot of guns get shown. My way of avoiding participation in the violence was the Spock Pinch. I decided that Vulcans knew so much about the human anatomy that they could knock out an enemy just by pinching a nerve in the neck and the shoulders.”

On that sixth day of filming, Nimoy approached director Leo Penn with his idea. William Shatner had been listening in, so when Penn asked for a demonstration, he quickly volunteered to be the guinea pig. Nimoy recalled, “I applied pressure to the juncture of Bill’s neck and shoulder, and he most convincingly fell into an unconscious heap on the floor. Thus the famous neck pinch was born, in part because of Bill Shatner’s talent for fainting on cue.”

The “pinch” stayed, but had not been cleared by the front office. Producers Gene Roddenberry, Robert Justman, and John D.F. Black had no idea that Nimoy, Shatner and Penn had, behind their backs, made a substantial change to the character of Spock and the format of Star Trek. They found out the next day while viewing the dailies. Roddenberry and his creative staff couldn’t help but embrace the idea and immediately began looking for ways to use the pinch in future episodes.

Although he was warned to not make decisions without approval again Nimoy continued to be vigilant of Spock’s integrity. Integrity that not only Nimoy expected, but what he knew the fans wanted, as well. And that’s only logical.

About Marc Cushman
Marc Cushman is an author and Los Angeles based screenwriter and director. His television writing assignments include scripts for Star Trek: The Next Generation, Beyond Belief: Fact or Fiction, and Diagnosis: Murder. His feature film credits include Desperately Seeking Paul McCartney, The Magic of Christmas, and In The Eyes Of A Killer. As a writer/producer, Marc created and served as show runner for two TV series: the cult comedy Channel K and its spin-off, the original Bachelor Pad. Marc is the author of the “biography of a TV show,” I Spy: A History Of The Groundbreaking Television Series (McFarland & Co., 2007), and the definitive examination of the making of the original Star Trek series, with his 1,700 page, three-volume set, These Are The Voyages, TOS.

Learn more at www.thesearethevoyagesbooks.com.

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