Movie Review: Cinderella (2015)

Cinderella live onesheet

Nutshell: a sweet film that takes in all that you loved about the animated Disney classic and tweaks it just a bit for the 21st Century.  Does it lag a bit here and there?  Sure.  But there’s a sweet chemistry between the leads, and fantastic yin/yang performances by Cate Blanchett and Helena Bonham Carter.  Kids’ll eat this up, but one question — what happened to Cinder’s animal pals? Grade: B+

I ain’t ashamed: I used to listen to the Disney Princess Oeuvre over and over (oeuvre and oeuvre?) again when I was a kid. A’yup; I’m so old-school Gen X that we didn’t have VHS when I was wee. We had record storybooks. Which was just fine by me; I could put the needle down on the songs however many times I liked.  Can anyone listen to “Bippity Boppity Boo” or “The Work Song/Cinderelly” too many times?  No.  No, you can’t.

But today’s Cinderella (2015, which I’ll shorten to Cinderella in the interests of my fingers) isn’t a musical.  It’s a lovely send-up of that 1950 film, and I for one am glad they waited so long.  There’s no other way they could have nailed the FX before now.  Well, they could have tried.  And failed.  Miserably.  But Cinderella the film is a beauty to behold, from the lovely homes and gardens to the lizard footmen, Fairy Godmother to fancy footwear.  Disney obviously pulled out all the art and design stops, and that attention to detail shows.  Strangely enough, it’s not all the glitz that really dropped my jaw, it was Cinder’s dress for the ball; as she dances, it moves as if it’s animation come to life.  I’m dying to get my hands on how that gorgeous piece of costuming came into existence.  Okay fine, I want to twirl in it, just once.

Lily James, best known for her portrayal of Lady Rose “Jazz Baby” MacClare in Downton Abbey, does the character proud, with just the right mix of courage and sadness.  “Have courage, be kind”, her mother asks of her.  And James puts that on the screen.  She’s paired well with Robb Stark Richard Madden, and they have a cute “hey I just met you…” chemistry that’s sweetly romantic but not the overkill that Frozen* rightly made fun of.

Cate Blanchett, as Cinder’s step-monster, is definitely up there with the usual e-VIL of the Disney villain. But Blanchett is allowed to sneak in bits of longing and heartbreak that didn’t exactly warm me to her cold-hearted character, but explained a bit of her hatred and bile.  As not-s0-ugly stepsisters (here they’re really Fashion Challenged Obnoxious Stepsisters), James’ Downton Abbey castmate Sophie “Daisy” McShera digs in as ditzy Drisella and The Borgia’s Holliday “Lucrezia” Grainger plays abominable Anastasia.  I adored the sisters’ bright childlike costuming, as well as Blanchett’s 40s-meets-fairytale look.  Early year releases tend to be forgotten, but I really hope this film nabs an Academy nod for the detailed, glorious work here.  (And don’t even get me started on Bonham Carter’s frothy fairytale number.  Perfect — and with wee little wings!)

The story is as you’d expect, but with a nice bonus of getting to spend time with Cinder when she was simply Ella.  Her bond with her parents (Ben Chaplin and Agent Carter‘s Hayley Atwell), and the love between them all is a bittersweet introduction that keeps things fresh.  So do scenes with the Prince and his father, where the whole pick-a-princess theme of the ball is discussed.  Director Kenneth Branagh does tend to linger a bit at times, though that could be my loving some bits of this film so much more than others that those Other parts get in the way of my love.  More mice!  More quips between the Prince and his right-hand man (played by Dracula‘s Nonso “Renfield” Anozi)!

Okay, the animals.  That’s what everyone loves about the Cinderella tale, right?  The singing, dancing, joking helpers that get Cinder through her darkest times.  Oh, there here.  Not so much with the birds, and the making quick work of her chores, but there are mice, and they are adorable.  My favorite is obviously Gus-Gus, the cheese-junkie.  But they’re all adorable, and the FX is like Ivory Soap; 99 & 44/100ths pure (awesomeness).  I just wish there was one brief cut-away during the finale to show that Cinder’s mice pals — and maybe the rest of her carriage entourage — are happily ensconced in the castle, or at least happy in the old homestead.  I just need to know.

So, to wrap; beautiful eye-candy, actors that are fun to watch, adorable FX mice and a glorious happy ending.  Feels like two hours, but clocks in at just under.  A small quibble, given all the pretty you can look at, but a quibble nonetheless.

 

*BTW, speaking of Frozen?  The Disney animated short Frozen Fever comes along for the ride when you head to the multiplex to see Cinderella and everyone else at the ball.  Wrote a little something about that short film. Like to read it?  Here it go.

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Short Film/Short Review: Frozen Fever

Frozen Fever onesheetA short film doesn’t require a long review, does it?  I either like it or I don’t, right? Well, here goes…

Nutshell: Frozen Fever is a perfect little shave ice of a film, a nice aperitif after the 2013 blockbuster.  The songs are beautiful, and so’s the animation.  Bell, Dazeem Menzel and Groff and Gad are in fine voice too.  Parents, get ready to empty your wallet, because EVERYONE will want a Snowgie.  Grade: A

“Bring forth more Frozen!”  That’s basically what every child — and a whole lot of grownups (points to self) — had to say after seeing Frozen over and over again.  Disney delivered.  And while some wish that there was a full-length sequel, I’d rather see a short done well than a cobbled-together mess of a second film trotted out simply to quench a thirst.  Luckily, this short is done well, and can easily stand beside it’s predecessor.  In fact, I kinda like Frozen Fever a little bit better.  Shh.  Don’t tell anyone.

Why?  Because all the sad-having bits of Frozen are over and done with.  Frozen Fever is simply a fun time.  The story is simple: Elsa tries to plan Anna’s birthday party.  It’s important to Elsa, as she’s spent most of Anna’s prior b-days behind a locked door.  So will a little sniffle get to Elsa?  Of course not!  But what are those little moving snowballs…?

Well, they’re Snowgies.  And they’re freakin’ adorable.  I wont’ get into more than that here — spoilers, darling — but if you must know, the Disney Wiki can spoil the ending a bit for you.  I’ll leave you with the trailer for Frozen Fever, to show that I haven’t spilled the beans entirely.

I love it when a sequel gets the band back together, and the leads from Frozen all come back for a little Fever.  You could totally slide right into this short straight from watching Frozen, it’s that seamless in terms of look and feel.  Plus, the happy ending in Frozen leads perfectly into the fun and shenanigans in Frozen Fever.  But I bet you did that on purpose, Disney.  You sly dogs, you.

Right now, the only way  you can catch Fever is by watching Cinderella (2015) in theaters.  But I’m betting by the end of the year there’ll be a DVD/iTunes/Play version for you repeat viewers.

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Movie Review: Run All Night

Run All Night onesheet

Nutshell: Neeson is in his now probably trademarked BAMF Mode, and it’s a whole lot of fun for action fans.  Harris & Neeson sharing scenes = the price of admission.  All lean meat action, no filler.  Grade: A

Is Liam Neeson the 21st century Charles Bronson?  Yep.  Pretty much.  Run All Night cements that nicely, with tons of shoot-em-ups and a story that has you actually caring about them surviving the night.

This time, in the Neeson badass canon, he’s haunted Irish mob hitman Jimmy Conlon.  Jimmy has done bad things, very bad things.  And those things have him three sheets to the wind nowadays, in an attempt to soothe his aching conscience.  And to help him forget that his only son Mike (Suicide Squad‘s Joel Kinnaman) couldn’t care if Jimmy is alive or dead.  Scratch that; Mike would just as soon his “monster” of a father was six feet under.  But when Jimmy’s old-neighborhood pal/mob kingpin boss Shawn Maguire (Ed Harris) tries to rein in son/mob heir Danny (Gone Girl‘s Boyd Holbrook), things go south fast.  Soon, Jimmy and Mike are on the run from Shawn and his goons, thanks to a stupid move by Danny that leaves the idiot boy dead at Jimmy’s hands.  “Give me one night”, Jimmy asks Mike, in the hopes of saving Mike, Mike’s pregnant wife and their young children. Cue the ultraviolence!
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Baltimore Screening Pass-palooza Part 2: Home!

Home onesheetOkay y’all.  Loved you some Home passes?  Well, because you guys are awesome and stuff, the Powers That Be (picture superheroes without capes because No Capes, but still BAMF) have given me the temporary superpower of giving out passes for a second screening of Home!  Here’s the synopsis for you n00bs:

Synopsis: When Oh, a loveable misfit from another planet, lands on Earth and finds himself on the run from his own people, he forms an unlikely friendship with an adventurous girl named Tip who is on a quest of her own. Through a series of comic adventures with Tip, Oh comes to understand that being different and making mistakes is all part of being human. And while he changes her planet and she changes his world, they discover the true meaning of the word HOME.

Website: http://www.foxmovies.com/movies/home

The screening will be at a different location, so read on for details, and how to grab yourself passes!
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Zoolander’s BLUE STEEL hits Paris Fashion Week!

At first I was worried.  Would Zoolander 2 be as silly and fun as the first one?  Well, if this PR gig is any indication, that’s a big ol’ 10-4, good buddy.  (Where’s that CB lingo coming from?)  A big bow of thanks to the folks at Valentino that were cool enough to let this happen.

Peep Zoolander and Hansel strutting their stuff at Paris Fashion Week, and read on for the full press release.

Zoolander 2 hits theaters in 2016.  Too long to wait, dammit!

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Baltimore Screening Pass-palooza: Insurgent!

Insurgent poster 2Love the Divergent series?  Seen the first film?  Well then, I’ve got passes for the Baltimore area screening of Film #2 of the shttps://atomicfangirl.wordpress.com/wp-admin/post-new.phperies, Insurgent!  What’s up with Tris this time?  Take it away, synopsis!

THE DIVERGENT SERIES: INSURGENT raises the stakes for Tris as she searches for allies and answers in the ruins of a futuristic Chicago. Tris (Woodley) and Four (James) are now fugitives on the run, hunted by Jeanine (Winslet), the leader of the power-hungry Erudite elite.  Racing against time, they must find out what Tris’s family sacrificed their lives to protect, and why the Erudite leaders will do anything to stop them.  Haunted by her past choices but desperate to protect the ones she loves, Tris, with Four at her side, faces one impossible challenge after another as they unlock the truth about the past and ultimately the future of their world.

Kewl, right?  Read on for how to grab yourself passes…

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Meet Me Giveaway: tix to the Fathom Events showing of La Donna del Lago

DonnaHappy March! Ready for St. Pat’s? Oh, you’re looking for something different? Well, how about La Donna del Lago , an Italian opera about the Scottish Highlands? Yeah. I think that sounds pretty cool too.  Here’s the information from the perky PR peeps:

Date: Saturday, March 14, 2015

Time: 12:55 p.m. ET / 11:55 a.m. CT / 10:55 a.m. MT / 9:55 a.m. PT

Run Time: 3 hours 30 minutes (approximate)

Ticketing: Tickets are available by clicking on the orange “Buy Tickets” button. If online ticketing is not available for your location, you can purchase your tickets by visiting the box office at your local participating cinema.

Special Fathom Features: Go behind the scenes with the Met’s stars! During intermission, interviews with cast, crew, and production teams give an unprecedented look at what goes into the staging of an opera.

Experience the ninth season of the Metropolitan Opera’s Peabody and Emmy Award-winning series The Met: Live in HD in select cinemas nationwide. The broadcast of Rossini’s La Donna del Lago will be presented live on Saturday, March 14 at 12:55 p.m. ET / 9:55 a.m. PT, followed by an Encore presentation in select cinemas on Wednesday, March 18 at 6:30 p.m. in all time zones.

Bel canto superstars Joyce DiDonato and Juan Diego Flórez join forces for this Rossini showcase of vocal virtuosity, set in the medieval Scottish highlands and based on a beloved novel by Sir Walter Scott. DiDonato is the “lady of the lake” of the title, and Flórez is the king who relentlessly pursues her, their vocal fireworks embellishing the romantic plot in this Met premiere production conducted by Michele Mariotti.

And how to win passes? Well, read on…

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Baltimore Screening Pass-palooza: Home

Home onesheetFeeling like a little bit of animation?  Well, thanks to the PR folks at Twentieth Century Fox, I’ve got you covered; AF has passes for the Baltimore area screening of Home!  An adorable alien, cute kids, and a fun adventure.  Sound Good?  Here’s the synopsis:

When Oh, a loveable misfit from another planet, lands on Earth and finds himself on the run from his own people, he forms an unlikely friendship with an adventurous girl named Tip who is on a quest of her own. Through a series of comic adventures with Tip, Oh comes to understand that being different and making mistakes is all part of being human. And while he changes her planet and she changes his world, they discover the true meaning of the word HOME.

Awwww!  Want passes?  Read on…

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Book Review: Danny Peary, Cult Horror Movies

Cult Horror Movies cover

Nutshell: Cult Horror Movies ranks right up there with Splatter Movies and Golden Turkey Awards in it’s celebration of the off-beat and cultishly adored.  Danny Peary not only provides in-depth analysis of each film in this collection, but provides tons of drool-worthy tidbits and trivia.  A must for film fans of any genre. Grade: A

I loved my coffee table books that focused on film.  Especially the ones that focused on horror, or movies the general public disdained Splatter Movies, Psychos by John McCarty.  The Golden Turkey Awards series by the Medved brothers.  Michael Weldon’s The Psychotronic Encyclopedia of FilmCult Horror Movies can easily slip beside these classics of movie trivia and criticism, and if you’re a fan of cult movies, movie history, movie trivia or just plain-old learning cool stuff, you should get your hands on this.

Some may look at this Leatherface-as-cover-candy book and figure there’s nothing but Z-level splatter. Some will be disappointed. Other fans of the genre will be delighted to see everything from Cronenberg to Lugosi, Christopher Lee to King Kong. This list is all over the place, and that’s perfect for a book about cult films. However, there will also be readers who wonder why [Insert Film Here] is included. That’s not horror! That’s mainstream! That’s… I know, I know; I questioned the inclusion of classics like Bride of Frankenstein, Freaks and my beloved Night of the Demon. But cult movies aren’t just about the films that sucked and slowly built up a following, they’re also about the ones that are amazing but were overlooked simply because of their genre. So just read the book already….
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Rage: Midsummer’s Eve hits VOD today

Rage Midsummer onesheetOkay y’all. I love me some horror. But saying the trailer for Rage: Midsummer’s Eve is in the “Top 5 horror trailers of 2015” when the year’s barely started? Kinda milking it a bit. Especially when said trailer is simply a bunch of young’uns running.  And running.  And running more.  Still, my 2014 “31 in 31” uncovered some pretty cool straight-to-vid films, so I’ll bite once it hits Netflix. Here’s the synopsis, as the trailer and the PR left that out:

American and British friends studying in Finland decide to take up an offer to travel to the Arctic Circle and experience the mysterious, pagan celebration of Midsummer’s Eve.

Am I the only one getting The Wicker Man spinoff vibes?

For my fellow horror fiends, feast your eyes on the press release.  And if you see it, lemme know what you thought…
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