Elsewhere Review: Jersey Boys

 

Nutshell: I’d give Jersey Boys a B+. A quartet of (mostly) stage stars provide spot-on Four Seasons numbers, while Clint Eastwood keeps the story from getting too fluffy or too dark. Bonus points for being able to enjoy the show without ever seeing the play, though that’s totally on my bucket list. But get comfy; this is a movie that feels like a play, and whose run time is damn close to one too.  My advice; more popcorn.

As always, clicky the hyper-title for the original piece!

Movie Review: Jersey Boys

TwitView: A fascinating, fun film that shows the rough edges around those smooth melodies. B+

The Four Seasons. Mostly, I knew of ‘em thanks to the overuse of some of their 70s hits at the neighborhood pool where I grew up. Then there’s the fantastic 1994 remix of “December 1963 (Oh What A Night)” that is still rockin’. In 2005, there’s the Broadway peek into the inner workings of the band, a little musical called Jersey Boys. Seems like everybody and their mother (especially their mother) headed out to see that, everyone but me. So this is a long-winded way for me to say that I’ll be reviewing this film as a stand-alone entity.

Jersey Boys sometimes feels like a “Behind The Music” episode, with it’s ups-and-then-downs storyline. But director Clint Eastwood steers clear of the maudlin and instead goes straight for the jugular more than once, giving Boys more heart than VH1 could ever muster. This isn’t a gloss job to blow smoke on Hall of Fame rockers, it’s a fictionalized look at real people with tons of true tales mixed in. That means there’s the good (Number 1s! Fame! Fortune!) and the bad (financial irresponsibility, relationship problems, and death). Eastwood’s a smart cookie here, casting performers from Jersey Boys’ Broadway and touring cast (Michael Lomenda, Erich Bergen, and Tony winner John Lloyd Young; Boardwalk Empire’s Vincent Piazza is the only non-stage Season here), and keeping much of the “book” (storyline structure, for non-theater nerds out there) from the original musical.

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Elsewhere Review: The Rover

Nutshell: I’d give The Rover a B+. It’s the type of film that had me watching, completely hooked, from the get-go (granted, it’s a heckuva start). But the bleak, unforgiving style of the film may put some off. If you’re up for doom, despair and agony on me? Check it out.

As always, clicky for the original piece!

Movie Review: The Rover

TwitView: Fascinating & dark. Existential & bloody. A creepy slice of our possible future. B+

Wasting away ‘til the next season of The Walking Dead?  Dying for some post-apocalyptic action?  Well, The Rover probably won’t soothe your need for braaaaaaaains, but it’s a fascinating look at what life could really look like if our global economy went boink. And it’s a film where you may try your best to figure out what will happen, or what the end game will be, and you’ll have no idea.  Gotta give this film mad props for blowing up the usual tropes, and doing it in a way that left me with no other choice but to watch.

Okay, lemme get this straight; there’s a global economic collapse, and ten years later the AMERICAN DOLLAR is the strongest currency around?  Man, I worry about the human race.  But there you have it, and Eric (Guy Pearce, Memento) is just a man trying to take a load off out of the harsh Australian Outback sun.  But three bad guys steal his car, and instead of shrugging, Eric goes stalker and tries to get his car back.  Along the way he runs into Rey (Robert Pattinson, recovering sparklevampire), a brother of one of the guys that ripped off Eric.  And that’s the story.  Things go from bad, to worse, to kinda okay but still sucky, and then all over the freakin’ map as these two try to get Eric reunited with his car.  Before you pull out the Ashton Kutcher jokes, know this; that car, and the search for it, is a Macguffin; it’s the journey these two take that draws you in, not whether or not the car will ever be found.  And no, I’m not telling you.

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Baltimore screening! Tammy! Come get some!

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Road trip! Oh, you can’t swing it? No problem, I can fix that. Or at least get you in to watch somebody else trip. Y’all know what I mean. Passes for the Baltimore screening of Tammy everybody!

Here’s the synopsis – a nice in-depth one too – from our lovely and talent PR folks:

Synopsis:

Oscar® nominee Melissa McCarthy (“Bridesmaids”) and Academy Award® winner Susan Sarandon (“Dead Man Walking”) star in New Line Cinema’s comedy “Tammy,” marking Ben Falcone’s directorial debut.

Tammy (McCarthy) is having a bad day.  She’s totaled her clunker car, gotten fired from her thankless job at a greasy burger joint, and instead of finding comfort at home, finds her husband getting comfortable with the neighbor in her own house.

It’s time to take her boom box and book it.  The bad news is she’s broke and without wheels.  The worse news is her grandma, Pearl (Sarandon), is her only option—with a car, cash, and an itch to see Niagara Falls.  Not exactly the escape Tammy had in mind.  But on the road, with Pearl riding shotgun, it may be just what Tammy needs.

The film also stars Allison Janney (“The Help”), playing Tammy’s world-weary mom, Deb; Gary Cole (TV’s “VEEP”) as ladies man Earl; and Mark Duplass (HBO’s “Togetherness”) as his son, Bobby; with Dan Aykroyd (“The Campaign”) as Tammy’s dad, Don; and Academy Award® winner Kathy Bates (“Misery,” “Midnight in Paris”) as Pearl’s fun-loving cousin Lenore.  Rounding out the cast are Sandra Oh (TV’’s “Grey’s Anatomy”) as Lenore’s partner, Susanne; Oscar® nominee Toni Collette (“The Sixth Sense”) as Tammy’s neighbor, Missi; and Nat Faxon (“Bad Teacher”) as Tammy’s husband, Greg.

The screenplay is by Melissa McCarthy & Ben Falcone.  Will Ferrell and Adam McKay produced the film with McCarthy.  Rob Cowan, Falcone, Chris Henchy, Kevin Messick, Toby Emmerich, Richard Brener and Michael Disco served as executive producers.

The behind-the-scenes team included director of photography Russ Alsobrook (“Paul Blart: Mall Cop”), production designer Jefferson Sage (“This is 40”), and editor Mike Sale (“Bridesmaids”).  The music is by Michael Andrews (“Bad Teacher”).

          New Line Cinema presents a Gary Sanchez/On the Day production, “Tammy.” The film will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment company.

This film has been rated R for language, including sexual references.

Here’s how to get your passes….

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Wonder what that comic is worth? Baltimore Comic-Con’s got you covered.

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It’s already Summer Solstice this weekend?  Wait, how’d that happen?  But then again, all the more closer (roll with me y’all) to Baltimore Comic-Con!  And if you’re like me and put off Spring Cleaning ’til June, you probably found a few things that have been sitting on your bookshelves.  You know, a few old comics that you’re sure are worth something maybe, but probably aren’t, though who knows?  This year, you can find out once and for all.  Baltimore Comic-Con (or as I like to call it, The Comic-Con That’s Still Actually About Comics) will have Certified Guaranty Company (CGC) at the ‘con to help you suss out what that issue is worth!

Personally, I’ve had an old Zap Comics I picked up at a yard sale back in high school, and I’ve wondered what it’s worth.  I’m not giving it up for love or money, but I’ve always been…so curious.  You got something your curious about too?  Join me!

Remember: Baltimore Comic-Con is this September 5-7 — yeah, three days this year baby! — and it’ll be at the Baltimore Convention Center.  Or, as I like to think of it, the big building across the street from Pratt Street Ale House.

Read on for the full details from the press release!

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Wayback Review — Buffy the Vampire Slayer Volume One: The Long Way Home

Hello Summer lazytimes!  While I slog away at new comics that have crossed my Kindle (workworkwork), here’s a peek at a li’l something I wrote for Green Man Review awhile back.  It was re-blogged at Sleeping Hedgehog, and now it’s here.  Quite the mover and shaker, this review.

Happy New Comics Eve y’all!

Joss Whedon and Georges Jeanty: Buffy the Vampire Slayer: Volume One: The Long Way Home

First printed on Green Man Review.

If you’re a fan of Buffy the Vampire Slayer like I am, Buffy the Vampire Slayer: Volume One: The Long Way Home is something you’ve been looking forward to for a few years now. If you’re only generally aware of this series –or only know the title from the so-so practically unrelated movie that preceded it — this collection of the first five comic books that takes Buffy’s story past the ending of the TV series is a good place to get into the mix. Also called “Buffy Season Eight” (and officially subtitled “Joss Whedon’s Season Eight” starting with comic book #6), it’s intended to be the offical follow-up to the series. The first collection of this Dark Horse collection serves as evidence that Joss still has it in spades.

How’s Buffy doing since we saw her last? Well, she’s got over a thousand other slayers covering her back, and a host of other supernatural do-gooders (witches, seers and the like) helping out too. Plus, the Watchers Council is lending aid, and if you think that’s a whole lot of help . . . it ain’t. It’s looking like the Big Bad this season will need every last one of them. What’s the Big Bad, the folks not as fannish as I? Well, it’s what Buffy fans call the thing/things that Buffy and her friends (the Scoobies, à la Scooby Doo) have to deal with and ultimately vanquish each season. They’ve dealt with big-dude vampires, an evil goddess with a shoe obsession, army mutants, their own mayor, the First Evil ever, old boyfriends and even a best friend.

The Scoobies are here too, although some are more present than others. The TV series had that too; you can’t have everyone on camera all the time, can you? Or it sure gets crowded. But the players are exactly where they need to be — for the most part — when the story calls for them, and that’s the important part. Plus, there’s lots of Willow magic and there’s even a point where Xander gets to be a little butch (It’s the eyepatch.) Meanwhile, I have a not-so-secret love for Giles (It’s the glasses.) He’s here too, holding down the fort in London. Yeah, they’ve gone global, and that has it’s pluses and minuses.
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Movie Review: How to Train Your Dragon 2

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Nutshell: I’d give How To Train Your Dragon 2 an A. An intelligent film that not only entertains without pandering to it’s audience, but manages the Empire Strikes Back-like superpower of being better than it’s already fabulous predecessor.  Grab some popcorn, swoon over Toothless, and don’t forget some Kleenex.  No spoilers, but you may need ’em.

What a difference 5 years makes, amirite?  When the Viking town of Berk — and more specifically, the chief’s only son Hiccup — first discovered that dragons could be freakin’ awesome instead of freakin’ terrifying, it took some time for things to settle in.  I like to think that the absolute adorableness of Toothless the Night Fury had a good bit to do with that. (And if you think he kinda resembles Stitch, you’re not wrong; director Dean DeBlois also helmed Lilo & Stitch.  Perhaps the two creatures are related?)

Anyway, How To Train Your Dragon 2 gives fans of the first film more of what they love; dragons, dragon riding, moments of anthropomorphic bliss, and a boo-hiss-able bad guy that Our Gang manages to overcome by the film’s end.  (What, did you think a kids film would let the bad guy win?  You don’t get out much, do you?)  New dragon types are introduced, love is in the air, and Dreamworks manages to top itself yet again in the animation department.  If you’re looking for a summertime film to enjoy with the little ones in your life, this is it.  The storyline in this film makes sense, and is more than just an excuse to trot out more dragons.  Not that I’m hating on dragons, but after the first film’s home-run, it would have been disappointing if HTTYD2 suffered from sophomore slump.  Luckily, it’s just as good as the first, if not better.  Better?  A’yup more dragons + more powerful story = more better.  Yeah, I’m that easy.
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Recappin’: Gang Related – Pecados Del Padre

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Photo: Fox

Man, but this show delivers the mediocrity. If I didn’t love Terry O’Quinn so much, and if I actually had cable rather than picking over Hulu shows, I’d bounce. Still may. Til then? Here’s my as-it-happened stream of consciousness during this episode.

Story: Basically? A bad guy rats. GTF celebrates. Latin Gang Kingpin wants to parlay that into getting into the drug business with Rat’s former boss. Carlos is still alive (boo!), but he’s peeing in a bag (yay – take that, sadistic scumbag!) I’ve decided that learning everyone’s name? Not important. Let’s ride!

Stream-of-consciousness-with-alcohol:

*NHI – no humans involved, just bangers. Cut to grieving people. Ham handed! But yeah, effective.

*RZA. Still awesome.

*I’ma sell drugs to make a clean start, says Latino Gang Kingpin! Because trying to go legit with the money I already have from years of being dirty? Pah! Also, gunning for revenge x10 for Carlos and his wheelchair status. Because bad guys don’t consider they bring bad stuff onto themselves! Whee!

*GTF Daughter Lawyer Lady should never be put with Terry O’Quinn. She only embarrasses herself. Flat in the dictionary has a clip of her performance tonight.

*”I can’t do that”? Whoa – he’s growing a heart? I’m betting no.

*They’re protecting Rat & his family, but let his little girl text? FAIL.

*Aw man. Carlos isn’t dead yet? Dammit.

*Boo Hoo. Carlos is feeling the full effects of karma. All the feelings! Poor bastard. /not

*Meanwhile, daddy is being an instrument for vengeance. On all the wrong people. Way to bully the innocent, asshole. Why am I still watching this show? Oh yeah, wine.

*Oh good! Shitty Actress/GTFDLL is being paired with Worthless Lead. Love – and bad acting – is in the air. *eyeroll*

*Meanwhile, Terry O’Quinn is finally looking at the information IAD gave him on Lopez/Worthless Lead. Will Pappa GTF be allowed buy a clue? Yeah right.

*”I knew it would be wrong.” Whatever, Latino Gang Kingpin. Your whole gang could vanish, and this show could only get better. This back-n-forth isn’t worth it. At least not with these scripts. Isn’t there a better way to showcase talented Latino actors? Oh, forgot; no good roles for anyone who isn’t Wonder Bread. America!

*”Just the name he’s under.” Oh, that’s okay then. It’s signing that dude’s death warrant, idiot. And there’ll be no justice for the dead agents you claim to give a crap about. But what else did I expect? Again, this better pay off with Worthless Lead waking the fuck up. Because right now, this show is expecting folks to side with a piece of shit. America!

So?: Gang Related is still more about being cool and edgy (ooh!) than developing characters worth caring about. This show doesn’t know if it wants to be The Shield, The Godfather, or Law & Order: Special Idiots Division. I’m off to grab more wine. It’s the only thing that gets me through these episodes. Sadly I waited so long to watch this episode that another one is comin’ up tomorrow.

More wine, Cercei.

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Free Baltimore screening: Obvious Child

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Want some funny? Something a little off the beaten shtick? Gotcha. And I can help.

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For aspiring comedian Donna Stern, everyday life as a female twenty-something provides ample material for her incredibly relatable brand of humor. On stage, Donna is unapologetically herself, joking about topics as intimate as her sex life and as crude as her day-old underwear. But when Donna gets dumped, loses her job, and finds herself pregnant just in time for Valentine’s Day, she has to navigate the murky waters of independent adulthood for the first time.

As she grapples with an uncertain financial future, an unwanted pregnancy, and a surprising new suitor, Donna begins to discover that the most terrifying thing about adulthood isn’t facing it all on her own. It’s allowing herself to accept the support and love of others. And be truly vulnerable. Never failing to find the comedy and humanity in each awkward situation she encounters, Donna finds out along the way what it means to be as brave in life as she is on stage.

Anchored by a breakout performance from Jenny Slate, OBVIOUS CHILD is a winning discovery, packed tight with raw, energetic comedy and moments of poignant human honesty. Writer/Director Gillian Robespierre handles the topic of Donna’s unwanted pregnancy with a refreshing matter-of-factness rarely seen onscreen. And with Donna, Slate and Robespierre have crafted a character for the ages – a female audiences will recognize, cheer for, and love.

Here’s how to get passes….

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Jersey Boys in Baltimore: free screening!

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Who doesn’t love Frankie Valli and Four Seasons? I remember listening to them on the oldies channel back at the ol’ neighborhood pool. Mmmm, Summertime.

Wanna see the music that brings their awesome doo-wop to the big screen? (Hint: yes, yes you do.) Jersey Boys has you covered. Need more information? Gotcha covered. Hit it, PR peeps!

Clint Eastwood’s big screen version of the Tony Award-winning musical tells the story of the four young men from the wrong side of the tracks in New Jersey who came together to form the iconic `60s rock group The Four Seasons.  Their trials and triumphs are accompanied by the hit songs that influenced a generation, and are now being embraced by a new generation of fans through the stage musical.

“Sherry”, “Big Girls Don’t Cry”, “Walk Like A Man”, and my favorite, “December, 1963 (Oh, What A Night)” – though gotta say I really love 1993 remix – are all here, and more. Eastwood ain’t skimping y’all.

And here’s how to get passes….

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Some of the great quotes from Orange is the New Black Season 2

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Just finished my bingewatch of Orange is the New Black, season 2. And it was awesome! I loved it, it freaked me out and made me mad. Basically I had all the feelings.

Because I don’t want to spoil anyone’s groove, but I need to vent? Here’s a few of the amazing lines from the new eps.

And I’m never going to look at pie, oatmeal, pizza, Uno or tampons in quite the same way again.

Oh  one spoiler: the band Sideboob is actually a thing. Need to hear “You Slay Me” over & over again (believe me, you’re gonna want to)? Hit up Bandcamp.

“Next time just sit on her face, shuts her right up.”

“You look like the gay Edge!”

“It’s like getting into a bath, but the water is warm chocolate pudding. And the Smiths are playing…. And you also have a pizza.”

“Women are really bad at math. Just remember that.”

“You can’t blame the wolf; lamb’s delicious. That’s smart eating!”

“You were patrolling a copy of Bass Master Magazine.”

“You don’t drink poison and wait for it to kill your enemy…. Plot your revenge.”

“I’m not an alcoholic, I’m Australian.”

“I don’t think it matters  just as long as you say your opinion it louder than everybody else!”

“Red…. She’s Mrs. Green Christmas. She’s Mrs. Sun.”

“Oh shit! Outlander! Have you read this?!?”

“Y’know who made up that Never Snitch bullshit? People prolly deserved to get snitched on.”

“RUN NUNS! RUN!”

And every fucking second of that perfect final scene.

When does Season 3 start?

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