Pony News: ready your wallets! BronyCon 2016 to add Art Show with one-of-a-kind items!

BronyCon_2016-Art_Show-Announcement-Press_Release

C’mon; one of the main reasons we love going to cons is to pick up merch we’d never find anywhere else.  So BronyCon is doing even more to feed that need this year, by giving us an Art Show!  That’s right, in addition to the usual shopping coma we all get from cruising Artists Alley, we can now check out one-of-a-kind items and bid on ’em.  Mmmm, one-of-a-kind items…  If there’s a Flutterbat anywhere in sight, I may have to kiss my wallet goodbye.  #priorities

Read on for the full deets straight from the horses mouth!
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Wayback Reviews: Red Rising

With my old stomping ground Green Man Review now dead and gone, I’m posting stuff I wrote there back in the day.  Because I hate to see it vanish. First published at Green Man Review March 31st, 2014. I’d link to the original, but as that site has ceased to be, here ’tis all alone.

Pierce Brown: Red Rising

red rising coverAnother dystopian future full of young adults who don’t know where they fit in?  Nooooo, you cry!  You’re sick to death of angsty teens navel-gazing their way through revolution, and if you see another love triangle featuring supernatural creatures that take their shirt off for no good reason, you’ll end someone.

Not to worry.  Red Rising does have the requisite dystopian future, but that’s where Pierce Brown breaks away from the pack and launches into a scathing look at politics, social order and The State, all tied up with one (young) man’s quest for vengeance.  Red Rising may be shoehorned in with the other YA books that have taken off thanks to the power of blockbuster series like The Hunger Games and Divergent (and yes, even  – shudder — Twilight), but it’s it’s own kind of beast, with it’s own kind of dangers and difficulties.  That makes Red Rising a novel that stands away from the pack nicely, and one that has this reviewer slavering for the next installment.  Grab this book before it shoots up the bestseller charts, and you can pull the Cool Book Nerd card at your next get-together.  Oh yeah, and it’s a helluva read.

Darrow is a Red, the lowest rung of the social ladder.  He and his fellow Reds toil in the bowels of Mars, trying to make it habitable for humans.  They’re told their pioneers, saviours of the human race.  Problem?  Higher level humans, or “higher colors”, have already moved into Mars, and Reds are simply the ones doing their dirty work.  When Darrow’s wife Eo — who found out about this and thirsted for revolution — is executed by top-of-the-food-chain Golds, he is given a choice; become a Gold and overthrow the status quo, or end up just like his beloved Eo.  But Darrow’s view of what it must be like to be a Gold is rocked when he’s chosen to become the elite of the elite, and there’s no guarantee he’ll live through the testing process.

When reading this book it was inevitable that I’d feel the whispers of Lord of the Flies, Enders Game and The Hunger Games.  It’s a story where a young man has to battle his way to the top, up-ending the social order as he goes along.  But there’s a freshness and truth in the words of these characters. The narrative feels honest, like real young adults instead of an author reaching way back. Probably because the author is recently out of his teens himself.

In a similar move to The Hunger Games, Red Rising groups humans into classes.  But rather than go by geographic location, Rising sees humanity evolve into different sub-classes, which are color-coded.  Pinks are the masters of the “physical arts”.  Obsidian are the warriors.  Violets the artists, and so on.  The book’s Web site has a wonderful pyramid that makes the hierarchy easy to follow.  I also loved the breakdown of the Gold “house” system, with it’s strong ties to Roman mythology.  When Brown gets into the climax of the novel, the young Golds are sorted into different houses that all must do battle against the other. Mars, Venus,Ceres, Jupiter…it’s a mythology nerd’s dream.  I would have liked more time with the various houses — hello, House Bacchus! — and how they worked, but I’m guessing the ties that were forged here may play a larger part in the second part of the trilogy, as the young Golds leave their testing arena and enter their real world.

But what I loved the most?  Hey look – a fantastic ya novel with no love triangle! Inconceivable? Seems that way with the current crop of dystopian lurves, but believe it. Darrow focuses on the task at hand, and though there’s a beautiful Gold girl who plays an important part in this tale, he’s still all about the Red love he lost. *fans self*

I loved how this book made me really, truly consider alternative forms of government. With the mythology here favoring rule by an elite class, there’s a predisposition to squinch a nose at that “better than you” way of thinking. However, as the author digs into the training of young Gold leaders, I found myself seeing what the proctors wanted their charges to discover; in a fierce world perhaps hard, ruthless decisions are necessary. I’m looking forward to seeing if the author shows readers that necessity, or if instead the world of the Gold works against itself.

And if you think this novel has caused an insane amount of Hollywood infighting for the movie rights, you’d be spot on.  Universal nabbed the glory, and as of right this second it looks like World War Z’s Marc Forster will helm.  But please, don’t wait for the movie.  Much like WWZ, there’s no way a film can do this amazing, sweeping tale justice.  Pick up a copy and dive right in.  You might want to make sure a few friends do the same, because you’ll definitely want to discuss the ideas presented.  May I suggest a nice stout and some brown bread to tide you over during that debate?

* note: The author ain’t one to shy away from the red stuff. In fact, while reading this book I toyed with the idea that Red Rising was actually a hint at how gory the action gets.  Those that suffer from Faint Of Heart-itis may want to take a pass.  Pity.

(Random House, 2014)

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Captain America: Civil War is the Marvel throwdown we’ve been waiting for

Captain America Civil War first onesheet

Nutshell: If you’re an MCU fan, you know you’re gonna see this, but wanna know if it’s actually any good. IT’S BETTER. If you’re not an MCU fan and wanna know if you should see it? There’s plenty of amazing battle scenes, as well as scenes that will have you feeling all the feelings, because the actions in this gutsy storyline have very real consequences.  So yeah, Civil War can satisfy fans and non-fans. What are you waiting for? Grade: A

I’ve been salivating over the idea of a Civil War storyline in the MCU (Marvel Cinematic Universe, for folks who are still having trouble with all the acronyms) ever since they announced it back in 2014.  The idea that Marvel would make a film about the consequences of epic superhero throwdowns, and how dealing with those consequences shatter the Avengers, made me bounce in my seat.  Because let’s face it; as much as I love superhero movies, after a while it’s the same old Bad vs. Good punchfest we’ve seen a million times or more.  Adding themes of responsibility, the price of freedom, and what it means to be a hero?  Could reboot the entire franchise, and Civil War does just that. And it might just be the best thing Marvel has dropped into our lap so far.

Warning: SPOILERS AHEAD.  I’ve inviso-texted the synopsis, but I can’t guarantee that’ll work on all devices.  Don’t say I didn’t warn ya.

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TrailerWatch: new “The Shallows” trailer shows MOAR SHARK

the shallows onesheetThe first trailer for The Shallows showed a stranded Blake Lively trying to figure out how to get back to land while a shark circles.  This time, there’s more shark, and more violence.  And it’s looking even more better y’all.  (Yes, even-more-better is definitely a thing.) Seriously.  I figured this’d be a fun ride, but it looks like Sony could actually have a sleeper on their hands.  Synopsis!

In the taut thriller The Shallows, when Nancy (Blake Lively) is surfing on a secluded beach, she finds herself on the feeding ground of a great white shark.  Though she is stranded only 200 yards from shore, survival proves to be the ultimate test of wills, requiring all of Nancy’s ingenuity, resourcefulness, and fortitude.

The Shallows scares you out of your bathtub on June 29th, 2016.

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TrailerWatch: “Bad Moms” red band shows how adulting really goes

Bad Moms onesheet“Every time I think of that big dumb motherfucker going off to college I wanna cry…. Children are such a gift.”

And if you read the line above and said hellz yeah?  Then Bad Moms is for you.  The last sneak peek gave us an idea that this movie was gonna be for the lay-deez, and it is.  But this is for anyone trying their best, failing in the eyes of the perfects, and then deciding to give zero.  (BTW, Christina Applegate looks like the best-worst Mean Girl who ever grew up and ran the PTA.)  Synopsis!

In this new comedy from the writers of The Hangover, Amy has a seemingly perfect life – a great marriage, over-achieving kids, beautiful home and a career. However she’s over-worked, over-committed and exhausted to the point that she’s about to snap. Fed up, she joins forces with two other over-stressed moms on a quest to liberate themselves from conventional responsibilities – going on a wild, un-mom-like binge of long overdue freedom, fun and self-indulgence – putting them on a collision course with PTA Queen Bee Gwendolyn and her clique of devoted perfect moms.

They REALLY should have released this for Mother’s Day.  Because really now; I know so many badass women who do all the things and have kids.  And they deserve a drunk-ass laugh riot movie.  But they’ll have to wait ’til June 29th just like the rest of us.  Bummer.

NOTE: this is definitely red-band.  So you’ll wanna wait ’til the kids are asleep – or your boss is – before you queue this puppy up.

 

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Review in a Flash: “Keanu”

Sometimes I’m too lazy for a full-out piece. Sometimes everything I’ve got to say about a film can be summarized in a sentence or two. Sometimes it’s both. So herewith, a quick-n-dirty on Key & Peele’s first foray into filmness, Keanu!

keanu“Keanu…I think it means ‘cool breeze’ in Hawaiian.”

Nutshell: One incredibly cute kitten.  One incredibly hard R of a film.  Hilarious, inappropriate, and sometimes downright tacky (I mean that as a compliment), Keanu brings the Key and Peele TV viewers know and love, and shows us what they’re like working blue.  Great cameos amp up the enjoyment, but while their riffs are the same, this ain’t their TV show. It’s better.  Grade: B+

Before: Damn that’s one cute kitten.  Look at him.  LOOK AT HEEEEEEM.  I wonder if I could steal one of those movie posters.  I know just where I’d put it…the movie though?  Probably a silly cash-grab.  I love me some Key and Peele, but they can’t possibly make a decent comedy based on a getting back the kitten gag.  Can they?  *watches trailer* Okay, maybe I’ll give this a shot.

During: Damn that’s one cute kitten.  Look at him.  LOOK AT HEEEEEEM. I.  Cannot.  Look.  Away.  The cuteness is overpowering.  But that’s the whole point, innit?   Keegan-Michael Key and Jordan Peele play cousins Clarence and Rell; Clarence is put together maybe a bit too well (Key) and Rell is a stoner who’s getting over a breakup (Peele).  Meanwhile, as Rell wallows in self-pity, a gangland clash leaves a tiny kitten lost in the streets of LA.  Where’s a poor kitty gonna go?  Why, to Rell’s house, naturally.  Rell instantly bonds with the little guy and names him George (sike)…but bad news.  Another gang breaks into Rell’s home in an apparent mix-up, and takes Keanu.  Worse news? The bad guys who just killed an entire drug house full of gang members were smitten by the kitten too. Can Clarence and Rell, as middle-class normcore as they come, pass themselves off as hard-timer thug-life boys and get little Keanu back?  They’re sure gonna try.

Digging into their usual riffs on racial identity, cultural stereotypes and what makes people who they are, Key and Peele are in their element here.  There are no TV censors to tell them to dial things back, and nobody to say a scene is too much.  So bring on the ultra-violence, strip club boobies, and crazy drug use!  Yeah, that last sentence doesn’t exactly scream laugh-riot (more like The Wire…but more about that in a tic), but trust me, these two know how to take a negative, point at it, and laugh their asses off.

There are definitely scenes that are a bit too much. But not because they’re unbelievable – this is a crazy comedy along the lines of The Blues Brothers or the Friday series. It’s more that there are times when a scene goes on just a bit too long, a gag beaten into viewers just a bit too much. But overall Key and Peele take a one-joke film thin on plot (let’s face it; the plot is “get the kitten”) and make it enjoyable thanks to their Everyman approach to the situation.  Their particular “fish out of water” gag works here, thanks to a script that isn’t afraid to go there, and actors who are just as game.  My favorite scenes that showcase their style have to do with Clarence’s favorite singer/songwriter, the great George Michael.  And, of course, I heart anything that kitten is in.  Naturally.

Keep an eye out for Method Man, Luis Guzman, Will Forte, Rob Huebel, Nia Long, Anna Farris and The Wire‘s Tiffany Haddish.  (See, told you I was coming back to The Wire.)  As for little Keanu?  Whoever did the kitten wrangling here did an amazing job. And so did Keanu.  I only wish my two kitties were half as well behaved.  Hell, I’d take an eighth.

After: Damn that’s one cute kitten.  Look at him.  LOOK AT HEEEEEEM.  I still want that poster.

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BronyCon’s two ways to cosplay: contests and a fashion show!

BronyCon_2016-Cosplay-Announcement-Press_ReleaseAlways wanted to strut your cosplay stuff, but wondered if an all-out contest was for you?  Well then, BronyCon has two ways for you to get your cos-swagger on.  This year, in addition to the usual cosplay competition, there’ll be a cosplay fashion show!  That’s right, a fashion show.  Can’t you just see Rarity smiling with delight?

No judgement, just the ability to show off your hard work to folks at the con in the coolest way possible; on the catwalk!  (Ponywalk?)  Make sure you pre-register so you can get yourself front and center!

Read on for the full details!
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“Mother’s Day” – sweet, easily digestible fluff. Probably better than waffles from a 3-year-old.

Mother's Day onesheetNutshell***: A whole lot funnier – and, surprisingly, sweeter – than I anticipated.  Then again, I anticipated sheer, unadulterated crap.  Director Gary Marshall manages to take what could have been a hideous train wreck of sap and turns it into a light, fun piece that may not stick with you for very long, but won’t cause any lasting damage either. But for gods sake, someone mute that godawful “you’re the best mommy bouncybouncy” end-credits song!   Grade: B-

For those of you taking a peek at the poster, you’re right; Mother’s Day is an Upper Middle Class White Chick Privilege film times a thousand. People live in gorgeous homes, everyone has lots of money (except for one, and that gets wrapped up by closing credits), and nobody sees a person of color unless they’re sassy.  Still, for earnestness and sheer ability to let it all rip and do anything to get viewers to chuckle?  Can’t hate this film for grabbing everyone by the lapels and screaming “love me!”  Continue reading

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“Sing Street” nails John Carney’s musical movies hat-trick

sing street“No woman can love a man who listens to Phil Collins.”

Nutshell: Am I using “hat trick” improperly?  (GO SPORTS)  Oh who cares – Carney’s success with Once and Begin Again flows into Sing Street, creating a nostalgic look back at the 80s that makes this officially a three-fer of damn good musical films. The toe-tapper “Drive It Like You Stole It” seems poised to nab a Best Original Song Oscar, like “Falling Slowly” did for Once.  So put that in your puck and smoke it.  Or whatever pucks do. Grade: A-

It’s the 80s!  Yaaay!  Madonna, Duran Duran, Pet Shop Boys and so many more are flooding the airwaves.  For young Conor (newbie Ferdia Walsh-Peelo) these songs and videos are just something to drown out the sounds of his parents fighting, and to help him forget that they’ve pulled him out of his private school and into a public one called Synge Street, where he clashes with the headmaster Father Baxter. Music’s his brother Brendan’s (Jack Reynor) thing, and Connor is just along for the evening vids-on-telly ride.  That is until Conor sees Raphina (Lucy Boynton, BBC’s Sense and Sensibility) at school.  She’s beautiful – a wannabe model, in fact – and Conor asks her to be in a video his band is putting together.  Problem?  He doesn’t even have a band together, let alone a video shoot.  Meanwhile, mom and dad (The Commitments Maria Doyle Kennedy, and Littlefinger Mayor Carcetti Aidan Gillen) are splitting up and selling the house, , and Raphina says she’s moving to London.  What better time to write down your emotions and put ’em into a song? Continue reading

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Baltimore Screening Pass-palooza – Popstar: Never Stop, Never Stopping

popstar onesheet

 

UPDATE: WINNERS HAVE BEEN CHOSEN.  CONGRATULATIONS TO THE WINNERS, AND THANK YOU TO ALL WHO ENTERED!

What’s better than listening to some killer tunes? Well, listening to killer tunes, and knowing they’re also giving you a laugh.  That’s the deal with Judd Apatow’s newest, Popstar: Never Stop, Never Stopping.  Synopsis!

Universal Pictures’ Popstar: Never Stop Never Stopping is headlined by musical digital-shorts superstars Andy Samberg, Akiva Schaffer and Jorma Taccone, collectively known as The Lonely Island. The comedy goes behind the scenes as singer/rapper Conner4Real (Samberg) faces a crisis of popularity after his sophomore album flops, leaving his fans, sycophants and rivals all wondering what to do when he’s no longer the dopest star of all.

Andy Samberg as a singer/rapper.  C’mon now.  You know you want this.  So why am I still typing?  Get to the jump already… Continue reading

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