Baltimore Screening Pass-palooza: Live By Night!

live-by-night-posterHey there, and happy 2017!  What?  You’re still bummed over the dumpster fire that was 2016?  (RIP, Alan Rickman, Carrie Fisher, Prince, David Bowie…I JUST CAN’T EVEN.)

Well, I’ve got free passes for the new Ben Affleck film, Live By Night, if that helps?  Synopsis!

What you put out in the world will always come back to you, but never how you predict. Taking fatherly advice is not in Joe Coughlin’s nature.  Instead, the WWI vet is a self-proclaimed anti-establishment outlaw, despite being the son of the Boston Police Deputy Superintendent.  Joe’s not all bad, though; in fact, he’s not really bad enough for the life he’s chosen.  Unlike the gangsters he refuses to work for, he has a sense of justice and an open heart, and both work against him, leaving him vulnerable time and again—in business and in love. Driven by a need to right the wrongs committed against him and those close to him, Joe heads down a risky path that goes against his upbringing and his own moral code.  Leaving the cold, Boston winter behind, he and his reckless crew turn up the heat in Tampa.  And while revenge may taste sweeter than the molasses that infuses every drop of illegal rum he runs, Joe will learn that it comes at a price.

Sounds intriguing, no?  Well, c’mon along! Continue reading →

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Catching Up Review: “I Saw the Light”

Sometimes I can’t get to a screening.  Sometimes there isn’t a screening available for a particular film.  Sometimes I’m just lazy and wait until the Award Season Onslaught to catch films that came out during the “For Your Consideration” award season year.  Typically, it’s all three.  So here’s a nutshell on what I think about one particular film: 2016’s I Saw the Light.

i-saw-the-light-posterThere was enormous buzz about Tom Hiddleston playing the folk and country rock legend, Hank Williams.  Then?  The movie seemed to vanish without a trace.  With good reason. Even with a stellar cast, this messy and unfocused biopic is all but unwatchable. Hiddleston delivers an incredible performance as Hank Williams, but this is less a look at Hank’s life than it is a series of scenes that show no insight into his inner struggle. Rudderless lackluster direction sinks any hope of a compelling story. A waste of talent and time.

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Baltimore Screening Pass-palooza: A Monster Calls!

A Monster Calls onesheetReady for the first free passes for 2017?  No, not of 2017 – I’m aware we’re not there yet.  But I’ve got passes for A Monster Calls, and while it’s in early January, I couldn’t wait to share. Synopsis!

A MONSTER CALLS is a visually spectacular and unabashedly emotional drama from director J.A. Bayona. 12-year-old Conor (Lewis MacDougall) is dealing with far more than other boys his age. His beloved and devoted mother (Felicity Jones) is ill. He has little in common with his imperious grandmother (Sigourney Weaver). His father (Toby Kebbell) has resettled thousands of miles away. But Conor finds a most unlikely ally when the Monster (portrayed by Liam Neeson in performance-capture and voiceover) appears at his bedroom window one night. Ancient, wild, and relentless, the Monster guides Conor on a journey of courage, faith, and truth that powerfully fuses imagination and reality.

This sounds like a sweet, touching tearjerker, and the CGI looks lovely. Ready?  Let’s go! Continue reading →

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Baltimore Screening Pass-palooza: “Patriots Day”!

patriots-day-teaser Merry Christmas Eve-Eve, everybody! Regardless of whether you celebrate or not, I’ve got presents  – passes for the Baltimore area screening of Patriots Day!  Synopsis!

An account of the Boston Marathon bombing and the intense aftermath, PATRIOTS DAY is the story of a community’s courage in the face of adversity. Celebrating the average citizens who became extraordinary heroes, this thriller starring Mark Wahlberg, Kevin Bacon, John Goodman, J.K. Simmons and Michelle Monaghan explores the untold story behind the hunt and capture of the bombers before they could carry out a second attack in New York City.

Docudrama!  Patriotism!  AMURICA!  Exclamation points! Let’s Go! Continue reading →

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7 Pieces Of “Sing”

sing onesheetNutshell: A cliche’d but entertaining story is given a boost by game voice actors and a sweetly humorous plot.  A few notes are a bit off-key, but by the end Sing makes beautiful music nonetheless.  Grade: A-

“Wonder and magic don’t come easy.”

Story: A down on his luck theater owner named Buster Moon gambles on one last show to save his beloved building from foreclosure; a singing competition.  So a group of finalists all gather to try to win the prize…and did I mention everyone’s an adorable animal?  Literally?

Genre I’d put it in: Cute But Faintly Offputting Character Driven Animated Funtimes

Remake, Sequel, Based-On, or Orignal: Original, though the well-worn clichés are not. Continue reading →

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7 Pieces of “Hidden Figures”

hidden figuresNutshell: An excellent look at heretofore unsung women behind the Astronauts.  Director Theodore Melfi manages to combine the stories of three women, the cultural revolution of the era, and the history of the space program together in an affecting, enjoyable film. Stellar performances by Taraji P. Henson, Octavia Spencer, and Janelle Monáe bring these amazing women to life. Grade: A

“You have to see what she becomes.”

Story: In 1969, NASA was hoping to get a man into space.  But they couldn’t seem to get the math right.  Luckily, three mathematicians working in three different NASA departments – guidance and navigation, engineering, and the new “electronic computing” – were there to help. Oh, and bee-tee-dub?  Those mathematicians were African American women, doing their best to succeed at their jobs during the thick of the Civil Rights movement of the 60s. Damn right you’re impressed.

Genre I’d put it in: True Stories That Would Have Made Cool Schoolhouse Rock Installments [I feel cheated.]

Remake, Sequel, Based-On, or Orignal: Based on the nonfiction book Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race, by Margot Lee Shetterly.

Gotta say: Before Hidden Figures, I had absolutely no idea that there were women working at NASA in the 60s.  Y’know, beyond the usual administrative positions.  Let alone African American women getting their math on.  And so I walked into Hidden Figures full of anticipation, hoping for a great story.  I wasn’t disappointed.

Writer/Director Melfi (along with screenwriter Allison Schroeder), took Shetterly’s book and added excitement and humor to an already interesting story.  As real-life smart women Katherine Johnson, Dorothy Vaughan and Mary Jackson, Henson, Spencer and Monáe are vivacious, funny and smart.  These are three women who knew their stuff, but also had a deep friendship.  It’s fun to watch as these three dig into their characters, painting a picture of what those mathematicians must have gone through during that time. Monáe especially stands out, as this year is the first time the singer/songwriter has tried her hand at acting.  And that she holds her own against powerhouses like Henson and Spencer is fantastic; I want to see her strut her stuff in more acting roles, please.

About that math.  I can’t add with two hands and a calculator, but I dug the hell out of the scenes where these ladies crunched numbers, programmed IBMs, and got their engineering on.  As Vaughan tries her hand at mapping a trajectory with numbers and math that “hasn’t been created yet”, it’s pure magic.

The fact that Figures digs into not only these women’s work lives, but their personal ones, paints a fuller picture of exactly what they were up against at the time.  Not only were they facing racism and segragation at the workplace, but the world was a dangerous place, even though there were those working to make things better.  Things begin to change both at NASA and in United States, but while this movie ends on a note of hope – including how each woman succeeded in her profession – there are many civil rights issues addressed here, and how these issues are addressed are shown as just the start, not the completion of things.

It was fun to see Scream Queens‘ Chad Radwell (aka Glen Powell) as John Glenn, and watching how everyone worked frantically just before Glenn orbited the earth was a finely tuned bit of suspense, even though we all know how it turned out.  Nice work, cast and crew.  And it’s always good to see Mahershala Ali, Jim Parsons, and Kirsten Dunst, though those last two got the thankless jobs of playing close minded bigots…

While much has been made of Spencer’s work in Fences (and rightly so), and the number of excellent films starring people of color this year, I  hope this film doesn’t get washed away in Oscar buzz for those other films.  Hidden Figures deserves its time in the spotlight too.  Not only that, but this film would make a fantastic movie to show students during American History.  Finally; a true-story history piece that’s a whole lot of fun to watch. Revolutionary, indeed.

#Protip: For more information on how African Americans helped further America’s voyage to space, these pieces in Air & Space Magazine http://www.airspacemag.com/history-of-flight/how-nasa-joined-civil-rights-revolution-180949497/ and NASA.gov  https://www.nasa.gov/audience/foreducators/topnav/materials/listbytype/African_American_Astronauts.htmlare are a good place to start.

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TrailerWatch: “A Cure for Wellness”

a-cure-for-wellness-posterReady for something creepy?  The first trailer for A Cure for Wellness should hit the spot.  It’s got lots of horror highlights; a suspicious doctor, a hospital in the middle of nowhere, and a very weird treatment regimen… Synopsis!

An ambitious young executive (Dane DeHaan) is sent to an idyllic but mysterious “wellness center.” He soon suspects that the spa’s miraculous treatments are not what they seem. His sanity is tested, as he finds himself diagnosed with the same curious illness that keeps all the guests here longing for the cure.

Sounds spoooooky.  A Cure for Wellness opens February 17th, 2017.

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7 Pieces of “Jackie”

jackie-poster

Nutshell: A moving portrait of a woman in the spotlight, going through an indescribably painful time, Jackie paints a moving picture of grief and survival thanks to a touching, time-shuffled story deftly directed by Pablo Larraín, and a masterful performance by Natalie Portman. Grade: A

“I’ve grown ­accustomed to a great divide between what people believe and what I know to be real.”

Story: On November 22, 1963, John Fitzgerald Kennedy was assassinated.  His young wife, Jacqueline “Jackie” Kennedy, had to deal with his death, his funeral, his burial…and how to move on from, and out of, the White House.

Genre I’d put it in: Heart Tugging Biopics

Remake, Sequel, Based-On, or Orignal: Based on the real-life Jacqueline Kennedy Onassis.

Gotta say: Growing up only knowing Jaqueline Kennedy Onassis, she was an enigma to me.  After watching Jackie, I believe that was intentional on her part.  A woman who never sought the spotlight – “I never wanted to be fame. I just married a Kennedy” – but nonetheless ended up one of the world’s most fascinating women, the movie Jackie shines a light on who she might have been.  While as of this post there has been no information on how the Kennedys feel about the film, I believed the personal this film creates.  A woman who felt she had to be one way in front of the cameras, only allowing her true self to shine through in private.

And Portman delivers an amazing performance.  As the story jumps from the assassination to the aftermath, to the White House tour Jackie hosted in ’62 to a private interview she held after JFK’s assassination (labeled “The Journalist” in the film, but ostensibly LIFE magazine’s Theodore H. White, played by Billy Crudup), Portman delivers a devastatingly pitch-perfect performance.  She portrays Jackie as a woman who had to craft her husband’s legacy while deep in the anguish of losing him.  All the while, Larraín moves the plot here and there, taking us through that time by stream-of-consciousness, almost as if we’re in Jackie’s head as she’s living it.  It’s a powerful film, and an incredible biopic.

It also showed me something I’d never known; that the idea of “Camelot” as an adjective to describe the Kennedy White House wasn’t something that was coined during his presidency, but after it.  Specifically, by Jackie herself.  In a scene where Jackie must get herself together before the funeral, she walks the halls of the White House as the song from the musical plays in the background.  As she tries on outfit after outfit after outfit, all the while clinging to a bottle as if it’s her lifeline, the pain, horror and resolution of Jackie Kennedy shines through.  It’s heartbreaking and powerful scene, a microcosm of the movie itself.  Jackie is destined to take its place among the great biopics in cinema.  It’s a staggeringly beautiful, poignant film that has a subtle strength.  Like the woman herself.

#Protip: If you’re interested in the White House Tour or the original interview published in LIFE magazine, here you go.

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Contest Time: La La Land!

la-la-land-posterGearing up for La La Land? You should be – it’s been getting incredible buzz, and the trailer looks absolutely incredible.  Plus, who doesn’t love to sing and dance?  Unhappy people, that’s who.  And I’m about to make you happy.  How?

Well, I’ve got a great way you can bring this film into your home – I’ve got a contest that had soundtracks, 45s and posters for you!

While La La Land opens this Friday (that’d be December 16th, 2017), let’s put on a contest!  Wanna know how you can win some swag?  Well, c’mon! Continue reading →

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Baltimore Screening Pass-palooza: Fences!

fences-posterKiller actors.  Tony-award winning play starring said killer actors.  What more do you need to start salivating, movie fans?  I’ve got passes for Fences, and this one’s gonna be in the ol’ Oscar pool for certain.  Synopsis!

FENCES is directed by Denzel Washington from a screenplay by August Wilson, adapted from Wilson’s Pulitzer Prize-winning play. The film stars Denzel Washington, Viola Davis, Jovan Adepo, Stephen McKinley Henderson, Russell Hornsby, Mykelti Williamson, and Saniyya Sidney.  The film is produced by Scott Rudin, Denzel Washington and Todd Black.

The trailer is incredible, with Washington and Davis delivering stellar performances…and that’s just two minutes of the film.  Can’t wait to dig into the rest.  You too? Continue reading →

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